Categories
Godsbarrow Tabletop RPGs

Godsbarrow: Why not create a world map first?

Writing yesterday’s post about banked fires and leaving countries partially unmapped made me realize how much I’ve thought about this stuff over the past several months, and how non-obvious some of it might be to anyone outside my personal flesh-prison.

I’m sort of mapping Godsbarrow the least efficient way possible . . . but stitching together my big map is proof that, for me, the dumb way that creates extra work in the future is the key to my success.

Why not start by mapping the continents?

I see gorgeous continent-level maps all the time on r/Wonderdraft. And it makes sense: Look how many things in the map below I will need to fix in order to turn X regional maps (the “tiles”) into a unified pan-regional map that spans a large chunk of Godsbarrow, none of which I’d have to fix if I’d started with a larger canvas.

Future Martin is not going to thank Past Martin for the extra work required to correct every boundary on this map

Hell, even if I’d stayed at the regional scale (rather than continent scale) but started with a six-tile blank map in Wonderdraft, filled it with ocean texture, and then added landmasses one region at a time, I’d wind up with a finished map that had none of the technical issues present in the map I currently have. But I know me: That blank space would have overwhelmed me, made this feel like work, and probably torpedoed the whole venture.

Every boundary, every thing I develop, is a constraint. Starting with continents establishes a whole bunch of boundaries right off the bat. Starting without even thinking about continents leaves all that stuff where it belongs, for now: nonexistent or purely notional.

Why? Three reasons.

Because WWN says so

Worlds Without Number [paid link] advocates strongly for not building stuff you don’t need, and I agree. More than three decades of gaming, including several abortive attempts at creating campaign settings which began, full of excitement, with me creating world maps, has taught me that I virtually never need to know about continents at the gaming table.

Is it nice to know what the Forgotten Realms looks like at a world map level? Absolutely. And maybe in a published setting with the scope of the Realms, I’d expect that. (Here, as a WIP on a blog, I absolutely don’t expect that.)

But in actual play, have I ever needed to know what the continents look like, or what the whole of Faerûn looks like? Nope. Not even once.

Which flows into…

Conversation of time and creative energy

I’m one guy, doing this for fun, not getting paid for it, with a finite amount of free time and creative energy, and spending those resources worldbuilding means I have less time and energy to spend on other things — including the more gameable aspects of worldbuilding.

If I spend a bunch of time and creative energy on a world map of Godsbarrow that I don’t even need, I might burn out. Even if I don’t burn out, I will have spent those resources making something I don’t actually need and placing constraints on my future worldbuilding.

Which flows into…

Because whimsical, improvisational worldbuilding is more fun for me

I’m not here to police anyone’s “lonely fun.” I upvote those gorgeous continent maps on r/Wonderdraft, and I love that folks are making cool shit even — especially — if it’s not how I might have made it. As my wife often says, with genuine affection, “You do you, Boo-Boo.

But personally I find it much more freeing, and more fun, to develop a Godsbarrow region without any real idea what’s next door. When I step back for a minute, as I did when stitching together that large map above, I see a developing setting that I never would have come up with this way if I’d sketched out all the coastlines for the large map at once.

Toriyama Akira and the art of improvisational creation

This connects nicely to having just finished watching Dragon Ball and started Dragon Ball Z. I was curious how much of Z Toriyama Akira had planned when he was working on Dragon Ball, and apparently the answer is “none of it, or at least not much of it, especially early on.” He was just doing what interested him, following his heart and seeing where it led him, and the end product — Dragon Ball — is full of whimsy and surprises and strange turns it likely never would have been full of if he’d mapped it out from the beginning.

Circling back to Godsbarrow, if I’d written up the Unlucky Isles knowing that a slug-god-kaiju was crushing mountains to the west (in Kurthunar) and the region to the south was locked in perpetual winter and populated by, among others, courtly werewolves and mushroom pirates, I would have written it differently. For one thing, I’d have had to hold a lot more ideas in my head while writing it. For another, I’d have worried about conceptually mapping out all of the nations’ relationships with places further away, which likely would have made me lose interest.

If I synthesize all of my regional write-ups into a unified document, will I need to add and tweak some things? You bet. Just like my stitched-up map, what came later would necessarily prompt a gentle rearrangement of what came before.

But as a price to pay for capturing the original raw spirit of Godsbarrow, channeling that into the Unlucky Isles, stoking the fires of creation and diving in while they burned brightly, and creating something that I still want to continue developing eight months later, that is a vanishingly small price indeed.

TL;DR: Start small. Which is, like, the oldest RPG worldbuilding advice ever. This post explains why I started small, and why, eight months after starting work on Godsbarrow, I still love this approach despite the imperfections it introduces into the process and the WIP version of Godsbarrow.

See also: Yore

A lot of what I’ve said here also goes for Yore itself. This blog will be celebrating its 10th anniversary later this year, on August 28th.

I’ve been blogging since 2005, and Yore is my third RPG blog. I ran Treasure Tables (still archived on Gnome Stew) from 2005-2007, and ran and contributed to Gnome Stew from 2008-2016. I may have my math off a bit, but I believe I wrote 871 posts on TT and 453 on GS.

So not only does my post count here — 463 as of this one — exceed my count on the Stew, even prior to the actual 10th anniversary I’ve already posted on Yore for longer than either of my previous blogs. Yore is the one where I just do whatever I want to do, whenever I want to do it, whether or not that’s an efficient way to build an audience (it’s not), get pageviews (it’s not), create a brand (it’s not), make money (it’s not), or stay relevant in the RPG hobby as a whole (it’s not).

In other words, philosophically Yore is pretty similar to Godsbarrow. I loved blogging on Treasure Tables and Gnome Stew, and look back fondly on those years. But part of the reason I’m still blogging here, nearly 10 years on (and well past the heyday of blogs’ relevance in the hobby), is because here is the place I just do my thing. Or don’t do it. Or shift gears and do new things.

I know folks out there have gotten good mileage out of stuff I’ve posted here, and that brings me joy. I hope it continues to be the case. In the meantime, I’ll just keep puttering away and doing my thing.

(This post is one of a series about worldbuilding with Worlds Without Number. I’m using the setting-creation approach detailed in Worlds Without Number [paid link], which is a fantastic resource.)

Categories
Miniatures Warhammer 40k

A strong contender for a third 40k army, Necrons, and a Yore milestone

Picking up a second-wave Indomitus box marks the first time since I got into 40k minis that I’ve bought models outside one of my chosen factions. I know I could Ebay the Necron half of my set and plow those funds into Orks or Blood Angels, but I’ve been looking ahead to 2021 (much of which seems like it’ll be a lot like 2020, isolation-wise) and thinking that a third army might be enjoyable to paint.

And it’s not just the convenience of already owning 36 Necron models: When I was choosing my second army, Necrons were a strong contender based on their sculpts and lore. While the notion of having one force from each umbrella faction — humanity, xenos, and chaos — is appealing, when I browse the chaos units (as I’ve got humans and xenos) I’m not blown away by some of the figures.

By contrast, virtually every current Necron model looks amazing. Based on the pre-refresh sculpts, I’d largely dismissed them; painting the same robot skeleton over and over sounded dull as dishwater. But these evil mofos look like a blast to paint — and they’d have a different aesthetic, vibe, and process to my Angels and Orks.

So while I’m not ready to commit to Necrons, nor give them a page of their own here, I do want to list what I have on hand for future noodling and/or Kill Team use:

  • Indomitus:
    • 1x Overlord
    • 1x Royal Warden
    • 1x Plasmancer
    • 1x Skorpekh Lord
    • 20x Necron Warriors
    • 2x Cryptothralls
    • 3x Skorpekh Destroyers
    • 1x Canoptek Plasmacyte
    • 1x Canoptek Reanimator
    • 6x Canoptek Scarab Swarms

If my pace holds steady with Orks, it’ll be 10-12 months until Moonkrumpa’s Megalootas are all painted up — plenty of time to ponder a potential army number three.

167 v. 166

Incidentally, this post represents the first past a tipping point on Yore: It’s my 167th post about miniatures, surpassing my 166 posts about RPGs. (As is traditional for Yore milestones, it’s just a plain ol’ post.)

I play/run RPGs twice a week, loving every minute, and if anything I’m more engaged with actual play than I was when I started blogging about RPGs way back in 2005. During those 15 years, I’ve written something like 1,500 blog posts about RPGs, mainly GMing topics.

I’ve found that some topics, especially perennial ones like fudging die rolls or player personality types, just don’t interest me anymore. I’m open to new ideas, but I know where I stand and why I stand there. I haven’t written a dedicated RPG advice blog since 2016, when I left Gnome Stew, and Yore’s occasional forays into advice tend to be one-offs written when some topic really grabbed me.

All of which is to say that I think the joke I made in February that got me back into blogging — about turning Yore into a miniatures blog — has borne fruit. I’ve kept Yore on the web even during its many fallow periods because this is the blog I come back to — the place where I write about whatever I want to write about, usually hobby stuff, and in the past that’s most often meant RPGs. These days, it’s minis.

Next month, or next year? Who knows! I sure don’t. But I hope you’ll stick around, and I appreciate your readership. Thanks for reading!

Categories
D&D Dice Miniature painting Miniatures Miscellaneous geekery Old school RPG community Story games Tabletop RPGs

A digest of smaller Google+ RPG posts from 2012-2015

With the impending shutdown of Google+ — my primary (and generally only) social network and outlet for gaming chit-chat since 2012 — I’ve been slowly making my way through stuff I posted there which, in hindsight, I should just have posted here on Yore.

Some posts stood alone, and should just have been Yore posts all along. I moved those over on their original publication date or on whatever day I happened to be working on them, whichever made the most sense.

But after doing that I was left with a little collection of posts that I like best in digest format — a sort of snapshot of some of what I cared about, tabletop RPG-wise, over the past seven years. It’s as erratic and unfocused as my overall post history on G+, so it feels pretty apropos.

Here they are in chronological order, lightly edited for clarity and to provide context.

February 7, 2012

High school wasn’t very helpful in figuring out who I wanted to be (better at sorting out who I wasn’t) but it was great for figuring out what kind of gamer I was going to spend the next 10-15 years being.

The past few years have made me reassess all sorts of things about how I game and want to game, but the past week or so — a full-bore nosedive into OSR games, hex crawl design, research, and the minutiae of D&D editions — has been mind-blowing and, I strongly suspect, formative.

I’m really curious to see where this leads.

March 22, 2012

This superb definition of hit points over on THE LAND OF NOD would probably have improved most of my D&D games in the past 20 years.

Hit points don’t represent anything solid or real or concrete in and of themselves. Rather, they are part of a complex calculation that boils down to this: “What are the chances that the next moment of mortal peril you experience will be your last.” That mortal peril might be a sword fight, a poison needle, a trap door … anything that might kill you. Most often, hit points relate to combat.

August 16, 2012

All three Engine Publishing books on Studio 2 Publishing‘s shelves at Gen Con (booth 419). That really never gets old!

January 17, 2013

I would love to replace my amethyst Armory dice set someday. The dice at the bottom are all that remain; the rest were chased under couches by cats and lost at friends’ houses while gaming as a kid.

Above them are the closest I’ve been able to get: an orchid Koplow set. They’re really, really close.

And at the top are my very first gaming dice, the d10 and d20 from Lords of Creation (from the very box they’re sitting on). I inked them with modeling paint and sprayed them with matte sealant, which was a pretty terrible idea.

Feb 13, 2013

I started collecting the FR series in 1990 or 1991; I have a vivid memory of reading FR9: The Bloodstone Lands — still my favorite in the series — in the auditorium as a freshman in high school. The arrival of FR8: Cities of Mystery today, more than 20 years later, completes my set of FR1-FR16.

For my money, this is one of the best series of gaming books ever produced, and these little volumes have been a source of inspiration to me for nearly as long as I’ve been a gamer. It feels funny to have them all.

August 25, 2013

After four years, Engine Publishing has a warehouse!

It’s still the office closet, but instead of working out of stacks of boxes (containing books) and moving huge “cheese wheels” of bubble wrap every time I need to ship a book, I can just do it. I have no idea why I waited this long!

December 15, 2013

I just found this while working on the basement. I think I made these in 2006 or 2007 (certainly no later, as I stopped running TT in 2007).

That’s probably the last time I had a business card, come to think of it. I always get less use out of them than I think I will, as much as I like having them.

January 8, 2014

With a hat tip to Brendan S for the idea, here’s a rough breakdown of my 2013 gaming purchases by the categories that sort of made sense to me as I went through them.

There are probably lots of ways I could have done this better, but hopefully I’ll escape the notice of the RPGSTPD (RPG Stats Tracking Police Department) long enough for you to observe my dorkitude.

March 6, 2014

I grew up shopping at The Compleat Strategist in NYC, first at the one on 57th and then at the one on 33rd. Much of my early formative gaming originated from one of those stores.

My friend Stephan just sent me this picture: Engine Publishing‘s two most recent books, Odyssey and Never Unprepared, on the shelf at the 33rd street Compleat.

That right there is blowing my mind.

March 6, 2014

Space marine terminator: “Brother Leopold, I found a flat spot on my armor!

Brother Leopold: “This space hulk will keep — let’s bedazzle the shit out of that flat spot. For the emperor!

Me: “Fuck you, I’m painting that red.

Five years after buying Space Hulk, I’ve finally started painting my marines. As you may have guessed, miniatures aren’t really my wheelhouse.

March 10, 2014

Lords of Creation (1983, designed by Tom Moldvay) was my introduction to gaming in 1987. I never owned its three modules as a kid, but they were all surprisingly cheap so I closed out the line on eBay/Amazon.

Revel in those covers! They’re totally fucking glorious. Plus, the “-akron” in Omegakron is Akron, Ohio and The Yeti Sanction is (as Brad Murray pointed out) a parody of The Eiger Sanction; this isn’t a game that takes itself too seriously.

April 27, 2014

Behold! For I am all of Spelljammer, and I am totally fucking awesome (and underrated).

I’ve loved Spelljammer since I first picked up the boxed set in 1989 or 1990 and moved my campaign there (as I did every time a new setting came out), and as of this weekend I finally closed out the line.

May 19, 2014

It’s 1989. A pimply-faced, floppy-haired Martin, age 12 or 13, was introduced to D&D a few months ago.

He’s standing in The Compleat Strategist on 57th Street in NYC, picking out dice to go with his AD&D 2e PHB, DMG, MC, and Time of the Dragon.

He picks these.

I knew if I was patient I’d eventually find the exact pack my first dice came in. I still have a few of the actual dice; some were stolen by cats or lost under friends’ couches. It’s like stepping into a time machine!

July 12, 2014

I first heard of Living Steel around the time I started gaming, when I was in my early teens. I picked up the boxed set and hardcover rulebook in college, back in Michigan (mid-1990s), and have been slowly acquiring the other supplements ever since.

Today I closed out the line.

It’s so not my kind of game mechanically, but the hook and the vibe and the guts of it are fabulous. I’d love to play it as written and using a lighter system someday.

July 31, 2014

I stumbled into collecting U.S. editions of Call of Cthulhu back in high school and have been slowly doing so ever since. It’s one of my favorite RPGs, and has been for over 20 years. I also enjoy the irony that until the forthcoming 7th edition its rules have remained basically unchanged for 30 years, making it one of relatively few games where there’s no compelling reason to own multiple editions.

Today I added an edition I thought I’d never see, the 25th anniversary edition (white hardcover), and thought that deserved a quick picture. Right to left, top to bottom: 1st, 2nd, 3rd, UK 3rd (also available here, so I mostly count it); 4th, 5th, 5.1; 5.5, 5.6, 20th anniversary, 6th softcover; 6th hardcover, 25th anniversary, 30th anniversary.

To my knowledge, I’m only missing two editions, and my odds of acquiring them seem poor: the designer’s edition of 2e, of which only 200 copies were made, and the “more limited” 20th anniversary edition (gold Elder Sign on the cover).

September 13, 2014

My desk, where I do Engine Publishing and Gnome Stew work, in the state it’s in about 50% of the time. The other 50% of the time there aren’t any piles on the end.

The piles are books I’m reading, need to shelve, need to review, or otherwise am currently using in some form.

November 17, 2015

From this excellent post about sales stats for RPG retailer BlackDiamondGames.com:

Also, because I know you guys like lists, here are our top 10 titles with the extremely high 17-40 turn rates:


1. D&D Next: Dungeon Master’s Screen
2. D&D Next RPG: Dungeon Masters Guide
3. Pathfinder RPG: Strategy Guide
4. Unframed: The Art of Improvisation for Game Masters

Wait wait wait. What?! One of these things is not like the others.

Closing remarks

On balance, I greatly enjoyed my time on Google+. It had a huge impact on my gaming, from meeting my current Seattle group to learning about all sorts of cool products to making friends to changing my gaming philosophy over time.

But having gone cold turkey a month or so ago, when my gaming group stopped using G+ to schedule our sessions, there’s a flipside: I’ve found that I don’t miss checking G+ nearly as much as I thought I would.

That gnawing feeling of a social network needing to be checked, maintained, curated, and managed, and of needing to deal with the small percentage of assholes I encountered there (who consume an outsized amount of time and energy) — I don’t miss that at all.

Nonetheless, though: On balance, G+ was seven years largely well spent, and I’ll miss the connections and gaming choices it helped me to make. I’m taking a social network break, maybe for good, but I’ll still be posting here and I’m quietly active on RPGnet and RPGGeek.

Categories
Miscellaneous geekery

Stepping down from Gnome Stew

As of today, I’m no longer running or contributing to Gnome Stew. There’s no drama or bad blood, it was just time for me to stop, and fortunately the Stew’s own John Arcadian is taking over — the site is in great hands.

Today feels super-weird. The Stew has been a fixture in my life for 8 years. To put that in perspective, during that time I’ve had a kid, bought and sold a house, changed jobs, and moved to another state. I woke up sad this morning, and post-coffee I still feel about the same.

I won’t retread all the ground I covered in the linked farewell article, with one exception: To everyone who has contributed to, read, commented on, or spread the word about the Stew over the past 8 years, thank you!