Categories
Old school RPG community Tabletop RPGs

Judges Guild can fuck right off

The current owner of Judges Guild, Robert Bledsaw II, doubled — hell, quadrupled — down on his antisemitic and bigoted statements. Tenkar’s Tavern has Bledsaw II’s post, which . . . well let’s just say it starts off with “My family crest attests to 3 European Crusades, and I regard that as a calling” and gets worse from there.

Fuck Judges Guild.

When the news about Bledsaw II first broke, I pulled the affiliate links to Judges Guild products that I had here on Yore but left up the many posts I’d written about using their older books. I love a lot of their output from the 1970s and ’80s, and I had a running series here on Yore where I used their old books to roll up castles, ruins, etc. on the fly — they were some of my favorite things I’d written here.

But now, after this reprehensible doubling-down? I pulled every post about Judges Guild products here, deleted every reference to them I could find (except these call-out pieces), and updated Hexmancer to remove pointers to their books.

Their older books don’t necessarily have anything to do with Bledsaw II, but I’m not giving the company as it stands now any promotion or goodwill of any kind. I hope they get rinsed right out of the RPG industry, and perhaps that someone else buys up their old IP.

I don’t platform or promote Nazis, bigots, racists, homphobes, or other bad actors, and I don’t want to waste your time reading about their stuff, either. Fuck ’em.

Categories
Old school RPG community Tabletop RPGs

Bigotry from Judges Guild and the endless treadmill of bad actors in the old-school RPG hobby

As a longtime fan of Judges Guild’s output from the 1970s and early 1980s (as evidenced by a string of posts here on Yore; they turned out some wild, creative stuff back in the day), I was dismayed to learn that the current owner, Robert (Bob) Bledsaw II, posts racist, Nazi, and antisemitic bullshit on Facebook.

Bob Bledsaw II needs to unequivocally apologize, make amends, and step down from his position as owner of the company. The new owner needs to denounce his remarks and take steps to assure the TTRPG hobby that this is not what Judges Guild stands for or represents.

Fuck Bledsaw II, and fuck bigots.

I’ve pulled all of the affiliate links I had here on Yore to Judges Guild products. I haven’t deleted my posts — yet — because I see no evidence that the original owner of the company, Bob Bledsaw, was a shitheel. But Judges Guild will never get another dime of my money until they turn this asshole out.

Mr. Toad’s wild fucking ride

Separately, I have to say that this exhausting treadmill of so-frequently-OSR or OSR-adjacent racism, misogyny, homophobia, transphobia, and other forms of bigotry is a big part of why I’ve more or less stopped blogging.

I’ve gotten rid of my entire Lamentations of the Flame Pricess collection. Scrubbed anything I ever wrote about Zak Sabbath. Stopped buying Frog God stuff (and now, Judges Guild). Blocked a parade of toxic asshats on any site where they appear. Stopped identifying as part of the OSR, and then participating in the scene at all. Done blog housekeeping to convert that category and associated tags to the more generic “old school.” Nuked connections to folks who still follow or promote the bad actors in the hobby. It never fucking ends.

I recognize that I have a headache and haven’t slept well in like a week and I’m fucking ornery, but here it is: In the past two years or so, the time I’ve spent removing or otherwise dealing with content related to the worst people in the TTRPG hobby exceeds the amount of time I’ve spent pleasurably blogging about gaming.

And every fucking time there’s a new revelation, what do you know? It’s like 99% likely to be in the OSR or OSR-adjacent corner of the hobby.

I’m not saying that everyone in the OSR is a Nazi or everyone who likes OSR-style gaming or books is a Nazi . . . but there is literally no other corner of the TTRPG hobby I’m aware of where so many visibly toxic assholes and hatemongers congregate.

I will now take my salty ass back to Twitter, where this post originated.

Categories
Old school RPG community Tabletop RPGs

It’s not about separating the art from the artist: It’s time to stop tolerating bad actors in the RPG community

In the wake of yesterday’s accusations of harassment, abuse, and sexual assault made by Mandy Morbid and others against game designer Zak S, it’s time to stop separating the art from the artist. I believe and stand with Mandy, Jennifer, and Hannah.

Zak S has been a bad actor in the RPG community for too long. It’s time to refuse to publish or promote his work, or to engage with him in the RPG community — and to do the same with other bad actors in our hobby.

The art/artist argument

I’ve often found that argument, that one should separate creative works from their creators, to be compelling. I’ve made it myself, and in the past I’ve made it about Zak S. (More on that in a moment.) For example, I love H.P. Lovecraft’s fiction, but the dude was a virulent racist. He’s been dead for over 80 years, and in my judgment enjoying his work while denouncing its problematic aspects is fine: He doesn’t profit from that.

I’ve struggled with how to apply that to living artists, though. Some calls have been easy: When Orson Scott Card began using his fame to promote bigotry towards LGBTQIA+ people, no amount of past enjoyment of Ender’s Game would convince me to spend money on or recommend his work again.

Others have been more difficult, and for too long Zak S was in that category. Based on interactions I had with him on G+, and on how I watched him interacting with others, it didn’t take me long to figure out that he was an asshole. But where Card is a clear bad actor, Zak S just seemed like an asshole — and liking an asshole’s work didn’t strike me as being problematic. I bought Zak’s books, and I linked to and promoted his work because I found his work interesting.

In the past couple years, I stopped doing that. I saw too much evidence that he was toxic, like RPGPundit, and stopped buying his books or promoting his work. I made sure to block him in every community where I spent time, and thought that ignoring him would be enough.

Ignoring bad actors isn’t enough

But out of sight, out of mind is not enough.

It’s not enough to separate the art from the artist. Like I said up top, it’s time to stop publishing and promoting work by bad actors in the RPG hobby, and to refuse to engage with them in our community.

I’m taking what The Gauntlet said about Zak S and the issue of support, both past and present, to heart:

If you have supported or defended Zak S in the past, you need to step up. The Ken Hites and White Wolfs and LotFPs of the world need to take this opportunity to disavow Zak S.

Zak S already hadn’t gotten my money or support for some time, but I went back through my posts here on Yore and removed all references or links to his work. I also logged back into Gnome Stew to edit or remove my past posts linking to Zak’s work, only to find that the Stew had already proactively removed them (thank you!). Were G+ not dying in six weeks, I’d scrub those posts as well.

As of this writing, the r/osr subreddit has roundly denounced Zak S and banned him from posting. Well-known folks in the OSR community have spoken out about him, including Patrick Stuart, scrap princess, and Rob Monroe. A flood of folks who supported a recent Zak S Kickstarter have asked for refunds, or for their names to be removed from the backer list. The RPGnet thread about the accusations is full of folks who are mad as hell.

Update Feb. 12: Ken Hite has denounced Zak and donated his payment for work on Demon City to charity, and OneBookShelf (DriveThruRPG/RPGNow!) has posted an official response to the situation on their blog. This includes blocking future products featuring Zak S and donating the company’s share of revenue from existing titles to charity. (There’s a longer explanation for why existing titles remain.)

Don’t waste money on shitbags

There are many, many, many designers, authors, artists, and other creative folks producing awesome stuff who aren’t bad actors and aren’t toxic to the RPG community. Those are the folks we should be supporting.

Categories
Bleakstone Old school Tabletop RPGs

YoreWiki

I spent a good chunk of today installing, configuring, and populating YoreWiki.

For now, YoreWiki is my info dumping ground for Bleakstone and other fantasy hexcrawl material. I realized that my false starts and brainstorming files and “master” documents were scattered across multiple folders and Yore draft posts, which made it impossible to find anything and exerted a measure of anti-creativity inertia that I found troubling.

My hope is that YoreWiki will give me an outlet to organize, interrelate, and add to my content for Bleakstone — ideally without feeling like work.

It’s already given me a chance to unearth, organize (in some cases!), and share a ton of stuff I’ve already created that was just gathering virtual dust and of no use to anyone — myself included. Now those ideas have a home.

Categories
D&D Dice Miniature painting Miniatures Miscellaneous geekery Old school RPG community Story games Tabletop RPGs

A digest of smaller Google+ RPG posts from 2012-2015

With the impending shutdown of Google+ — my primary (and generally only) social network and outlet for gaming chit-chat since 2012 — I’ve been slowly making my way through stuff I posted there which, in hindsight, I should just have posted here on Yore.

Some posts stood alone, and should just have been Yore posts all along. I moved those over on their original publication date or on whatever day I happened to be working on them, whichever made the most sense.

But after doing that I was left with a little collection of posts that I like best in digest format — a sort of snapshot of some of what I cared about, tabletop RPG-wise, over the past seven years. It’s as erratic and unfocused as my overall post history on G+, so it feels pretty apropos.

Here they are in chronological order, lightly edited for clarity and to provide context.

February 7, 2012

High school wasn’t very helpful in figuring out who I wanted to be (better at sorting out who I wasn’t) but it was great for figuring out what kind of gamer I was going to spend the next 10-15 years being.

The past few years have made me reassess all sorts of things about how I game and want to game, but the past week or so — a full-bore nosedive into OSR games, hex crawl design, research, and the minutiae of D&D editions — has been mind-blowing and, I strongly suspect, formative.

I’m really curious to see where this leads.

March 22, 2012

This superb definition of hit points over on THE LAND OF NOD would probably have improved most of my D&D games in the past 20 years.

Hit points don’t represent anything solid or real or concrete in and of themselves. Rather, they are part of a complex calculation that boils down to this: “What are the chances that the next moment of mortal peril you experience will be your last.” That mortal peril might be a sword fight, a poison needle, a trap door … anything that might kill you. Most often, hit points relate to combat.

August 16, 2012

All three Engine Publishing books on Studio 2 Publishing‘s shelves at Gen Con (booth 419). That really never gets old!

January 17, 2013

I would love to replace my amethyst Armory dice set someday. The dice at the bottom are all that remain; the rest were chased under couches by cats and lost at friends’ houses while gaming as a kid.

Above them are the closest I’ve been able to get: an orchid Koplow set. They’re really, really close.

And at the top are my very first gaming dice, the d10 and d20 from Lords of Creation (from the very box they’re sitting on). I inked them with modeling paint and sprayed them with matte sealant, which was a pretty terrible idea.

Feb 13, 2013

I started collecting the FR series in 1990 or 1991; I have a vivid memory of reading FR9: The Bloodstone Lands — still my favorite in the series — in the auditorium as a freshman in high school. The arrival of FR8: Cities of Mystery today, more than 20 years later, completes my set of FR1-FR16.

For my money, this is one of the best series of gaming books ever produced, and these little volumes have been a source of inspiration to me for nearly as long as I’ve been a gamer. It feels funny to have them all.

August 25, 2013

After four years, Engine Publishing has a warehouse!

It’s still the office closet, but instead of working out of stacks of boxes (containing books) and moving huge “cheese wheels” of bubble wrap every time I need to ship a book, I can just do it. I have no idea why I waited this long!

December 15, 2013

I just found this while working on the basement. I think I made these in 2006 or 2007 (certainly no later, as I stopped running TT in 2007).

That’s probably the last time I had a business card, come to think of it. I always get less use out of them than I think I will, as much as I like having them.

January 8, 2014

With a hat tip to Brendan S for the idea, here’s a rough breakdown of my 2013 gaming purchases by the categories that sort of made sense to me as I went through them.

There are probably lots of ways I could have done this better, but hopefully I’ll escape the notice of the RPGSTPD (RPG Stats Tracking Police Department) long enough for you to observe my dorkitude.

March 6, 2014

I grew up shopping at The Compleat Strategist in NYC, first at the one on 57th and then at the one on 33rd. Much of my early formative gaming originated from one of those stores.

My friend Stephan just sent me this picture: Engine Publishing‘s two most recent books, Odyssey and Never Unprepared, on the shelf at the 33rd street Compleat.

That right there is blowing my mind.

March 6, 2014

Space marine terminator: “Brother Leopold, I found a flat spot on my armor!

Brother Leopold: “This space hulk will keep — let’s bedazzle the shit out of that flat spot. For the emperor!

Me: “Fuck you, I’m painting that red.

Five years after buying Space Hulk, I’ve finally started painting my marines. As you may have guessed, miniatures aren’t really my wheelhouse.

March 10, 2014

Lords of Creation (1983, designed by Tom Moldvay) was my introduction to gaming in 1987. I never owned its three modules as a kid, but they were all surprisingly cheap so I closed out the line on eBay/Amazon.

Revel in those covers! They’re totally fucking glorious. Plus, the “-akron” in Omegakron is Akron, Ohio and The Yeti Sanction is (as Brad Murray pointed out) a parody of The Eiger Sanction; this isn’t a game that takes itself too seriously.

April 27, 2014

Behold! For I am all of Spelljammer, and I am totally fucking awesome (and underrated).

I’ve loved Spelljammer since I first picked up the boxed set in 1989 or 1990 and moved my campaign there (as I did every time a new setting came out), and as of this weekend I finally closed out the line.

May 19, 2014

It’s 1989. A pimply-faced, floppy-haired Martin, age 12 or 13, was introduced to D&D a few months ago.

He’s standing in The Compleat Strategist on 57th Street in NYC, picking out dice to go with his AD&D 2e PHB, DMG, MC, and Time of the Dragon.

He picks these.

I knew if I was patient I’d eventually find the exact pack my first dice came in. I still have a few of the actual dice; some were stolen by cats or lost under friends’ couches. It’s like stepping into a time machine!

July 12, 2014

I first heard of Living Steel around the time I started gaming, when I was in my early teens. I picked up the boxed set and hardcover rulebook in college, back in Michigan (mid-1990s), and have been slowly acquiring the other supplements ever since.

Today I closed out the line.

It’s so not my kind of game mechanically, but the hook and the vibe and the guts of it are fabulous. I’d love to play it as written and using a lighter system someday.

July 31, 2014

I stumbled into collecting U.S. editions of Call of Cthulhu back in high school and have been slowly doing so ever since. It’s one of my favorite RPGs, and has been for over 20 years. I also enjoy the irony that until the forthcoming 7th edition its rules have remained basically unchanged for 30 years, making it one of relatively few games where there’s no compelling reason to own multiple editions.

Today I added an edition I thought I’d never see, the 25th anniversary edition (white hardcover), and thought that deserved a quick picture. Right to left, top to bottom: 1st, 2nd, 3rd, UK 3rd (also available here, so I mostly count it); 4th, 5th, 5.1; 5.5, 5.6, 20th anniversary, 6th softcover; 6th hardcover, 25th anniversary, 30th anniversary.

To my knowledge, I’m only missing two editions, and my odds of acquiring them seem poor: the designer’s edition of 2e, of which only 200 copies were made, and the “more limited” 20th anniversary edition (gold Elder Sign on the cover).

September 13, 2014

My desk, where I do Engine Publishing and Gnome Stew work, in the state it’s in about 50% of the time. The other 50% of the time there aren’t any piles on the end.

The piles are books I’m reading, need to shelve, need to review, or otherwise am currently using in some form.

November 17, 2015

From this excellent post about sales stats for RPG retailer BlackDiamondGames.com:

Also, because I know you guys like lists, here are our top 10 titles with the extremely high 17-40 turn rates:


1. D&D Next: Dungeon Master’s Screen
2. D&D Next RPG: Dungeon Masters Guide
3. Pathfinder RPG: Strategy Guide
4. Unframed: The Art of Improvisation for Game Masters

Wait wait wait. What?! One of these things is not like the others.

Closing remarks

On balance, I greatly enjoyed my time on Google+. It had a huge impact on my gaming, from meeting my current Seattle group to learning about all sorts of cool products to making friends to changing my gaming philosophy over time.

But having gone cold turkey a month or so ago, when my gaming group stopped using G+ to schedule our sessions, there’s a flipside: I’ve found that I don’t miss checking G+ nearly as much as I thought I would.

That gnawing feeling of a social network needing to be checked, maintained, curated, and managed, and of needing to deal with the small percentage of assholes I encountered there (who consume an outsized amount of time and energy) — I don’t miss that at all.

Nonetheless, though: On balance, G+ was seven years largely well spent, and I’ll miss the connections and gaming choices it helped me to make. I’m taking a social network break, maybe for good, but I’ll still be posting here and I’m quietly active on RPGnet and RPGGeek.

Categories
Old school Tabletop RPGs

Coins & Scrolls on fast kingdom mapping

This method for quickly mapping fantasy kingdoms over on Coins & Scrolls is really neat.

Start with a blank map, just coastlines. Add dots for major settlements, and color the hexes around them to identify the “core regions” of different counties/duchies. Then roll dice to expand those counties, determine undeveloped regions, and create enclaves.

The end result looks dandy, but — perhaps more importantly — this mapping methods looks like a lot of fun and seems like it would produce a gameable map.

Categories
Old school RPG community Tabletop RPGs

Hate speech has no place in gaming: Stuart Robertson’s OSR logo

Stuart Robertson is right the fuck on the money with this one: As the creator of the most widely used OSR logo, he is legally withdrawing the right to use it on any works containing hate speech (as defined by Canadian law).

The thread on Google+ where he made this announcement is epic. If you have as many toxic right-wing assholes blocked as I do it will be a gap-filled but highly entertaining read. Anything that pisses off bigots is a good thing; that it’s a principled stand backed up by Stuart’s apparently infinite patience is all the more impressive.

Hate speech has no place in gaming.

Categories
Old school Story games Tabletop RPGs

Dead Friend and Two OSR Dungeon Crawls

I’ve added a couple new books to my list of my favorite free & PWYW RPG products on DriveThruRPG (covering about 3% of the 7,500+ products available) that are both so good that I want to talk about them here.

The first is Dead Friend: A Game of Necromancy, by Lucian Kahn, which is a two-player RPG — one of my favorite types of game.[1] One of you plays a necromancer; the other plays the necromancer’s dead friend. It reminds me of Murderous Ghosts (which I love), and I can’t wait to try it.

In it, you place a ritual symbol in the center of the table, surround it with a ring of salt, move coins around, hum, make strange utterances — and try to pursue wildly opposed goals — like “bring your dead friend back to life” for the necromancer, and “kill your friend” for the dead. It’s a polished and fantastic-looking little game, too.

The other is John Battle’s Two OSR Dungeon Crawls, which provides what it says on the tin. Bland title aside, these are both fascinating dungeons. It would benefit from some editing and a nicer layout, but the content is delightful — so delightful that I dropped it right into my “I’d love to run these modules anytime” folder.

My favorite of the two is The Globe, which involves an enchanted snow globe, a tooth-stealing lich, a host of mummies, a truly terrifying variant of mummy rot, and some deeply creepy moments. It also includes something I’m always excited to see in any dungeon crawl: potentially campaign-shaking consequences based on how the PCs handle it.

[1] When I first started gaming, one GM and one player was the only way I played for a couple of years. In retrospect I don’t know why I didn’t try to link up the separate friends I gamed with, but the intimacy and tone of two-player gaming is so fantastic that it just never occurred to me.

Categories
Old school Swords & Wizardry Tabletop RPGs

Comparing Swords & Wizardry Core vs. Complete

Reading Rappan Athuk renewed my interest in checking out Swords & Wizardry, and it also made me curious about the differences between S&W Core and S&W Complete.[1] I searched for a simple summary of those differences and kept seeing variations on this: “Core is the 3 LBBs + Supplement I (Greyhawk); Complete is 3 LBBs + the classes, spells, monsters, treasure, and some additional rules from all supplements to the LBBs.

I wanted something a bit more definitive, and when I glanced through both books the classes jumped out at me as the only substantial difference — so I decided to do a quick side-by-side analysis. I compared the latest printing of both books, the 4th printing of Core and the 3rd printing of Complete.

If you’re new to S&W, or want to compare versions on your own, the game is free and you can grab almost every printing here (with thanks to Smoldering Wizard for collecting those links).

Quick and dirty

Here’s the TL;DR version of what I found:

  • Complete includes more classes
  • Complete includes one additional race
  • Combat in Complete alternates sides for movement/missiles and then again for melee/spells, while in Core each side does everything before the other side goes
  • PCs die at -1 in Complete vs. -[level] in Core
  • Complete includes rules for siege, aerial, and ship combat
  • Core and Complete include the same monsters, spells, and treasure (except for Complete having druid spells)

The additional classes are by far the largest difference, followed by the variations in combat and dying and the special combat rules that appear in Complete.

Marginally less quick and dirty

Here’s a more detailed look at the differences I found when comparing the two versions. I didn’t do a deep dive and compare monster stats or spell descriptions because that wasn’t what I needed at the moment — I needed a snapshot to tell me which edition I would prefer.

Classes

  • Core includes cleric, fighter, magic-user, and (optional) thief
  • Complete adds assassin, druid, monk, paladin, and ranger

Races

  • Complete adds half-elves

Combat

  • The first three steps (surprise, declare spells, initiative) and final step (end of round) of combat are the same, but the default approach to the middle steps differs (see below)
  • In addition to offering Holmes as an alternative combat sequence (which both do), Complete also offers Core’s approach and a third variant
  • In the Special Situations section, Complete notes a house rule about critical hits and fumbles, and also clarifies spellcasting in melee with a note about wands and staves
  • Under Damage and Death, dying is different:
    • In Core, 0 HP means unconscious and bleeding out 1 HP/round, with death at -[level]
    • In Complete, 0 is unconscious, -1 is dead, and bleeding out is noted as a house rule

Combat steps

Here’s a breakdown of the first bullet, the middle steps of combat. In Core, the middle steps are:

  • Initiative winner does everything (move, missiles, melee, spells)
  • Then initiative loser does everything
  • Then folks with held initiative go

In Complete, the steps are:

  • Initiative winners move or fire missiles, then initiative loser moves or fires missiles
  • Initiative winner makes melee attacks and their spells go off, then initiative loser does the same
  • Held initiative doesn’t exist

High-Level Adventuring

  • Complete includes a few additional details about constructing castles.

Magic

  • Complete adds Gate as a level 7 cleric spell
  • Complete includes druid spells (since it includes the druid!)

Designing the Adventure

  • There’s an additional dungeon example in Complete

Special Combat Rules

  • Complete includes siege, aerial, and ship combat in the Special Combat section (both include mass combat)

Monsters

I looked at the monster lists by challenge level, and wherever they varied I confirmed that both books do in fact include those monsters. In Complete, the variations are:

  • Dragons don’t appear in the Monsters by Challenge Rating lists (they do in Core)
  • CL 1 adds the lethal variation of giant centipedes
  • CL 2 adds lethal giant centipedes
  • CL 5 adds giant leeches
  • CL 9 subtracts giant fish
  • CL 10 subtracts baalroch demon, which becomes CL 13 (although its description says 17)
  • CL 13 subtracts dragon turtles, which become CL 12
  • CL 14-16 adds dragon turtles

There are alphabetization errors in both versions’ monster lists, so my guess is that dragons were an unintentional omission from Complete’s lists. The leech, centipede, turtle, and fish look like cases of Complete correcting omissions from the lists in Core (since both books have those monsters, and their CLs are identical). I’m not sure what to make of the baalroch demon: He’s CL 10 in Core, and appears at CL 10 on the list; in Complete, he’s CL 17 and appears under CL 13.

Hack to taste

S&W is designed to be hacked to suit one’s personal preferences, and if I were to sit down and run an S&W game right now I’d probably grab Complete and just eliminate all classes except the original three (cleric, fighter, and magic-user).

Complete already uses my preferred approach to combat and dying, and given that the rest is functionally identical I’d rather have the small amount of extra material (castle stuff, aerial combat, etc.) just in case it came up. Both versions share Matt Finch‘s excellent writing, a conversational tone, clean layout, and clear rules, and of course you can just as easily drop the bits of Complete you like into Core (and so on).

Having now spent quite a bit of time with different versions of S&W, I’ve found that I love the clarity and spark of the presentation in the 3rd printing of Complete — the 2017 version helmed by Stacy Dellorfano, with layout by Leigh Tuckman. Given that it was only a buck during the KS and the every other printing is available for free in PDF, I hope this one will eventually be available for free as well.

[1] S&W WhiteBox is a different animal from both Core and Complete in ways that are much easier to evaluate (all weapons do d6 damage, most monsters have one attack, flatter power curve, etc.), and in any case Rappan Athuk is written for S&W Complete; the easiest course being to run it with Complete, that’s what I wanted to look at.

Categories
Old school Swords & Wizardry Tabletop RPGs

The Frog God Swords & Wizardry Superbundle

While prowling around for a deal on Tome of Horrors Complete I stumbled across this PDF bundle on the Frog God website — the aptly named Superbundle for Swords & Wizardry. It’s broken into 3 tiers: $5, $13, and $25.

I love monster books, and in addition to ToHC this bundle includes two others that were also on my wishlist. Sticking to just the monster books, Tome of Horrors Complete ($25 tier) is normally a $30 PDF, Monstrosities ($13 tier) is normally $15, and Tome of Horrors 4 ($5 tier) is normally $25 — so that’s $70 of monstery goodness for $25.

And that’s not even taking into account the other stuff I’m also curious to check out, like the Borderland Provinces (all 4 included) and Hex Crawl Chronicles books (all 7 included), or the stuff that’s completely new to me. This bundle made my day — maybe it will make yours, too.

Here’s the breakdown:

$5 tier:

  • Quests of Doom 1
  • The Borderlands Provinces
  • Tome of Horrors 4
  • The Mother of All Encounter Tables
  • Rogues of Remballo
  • Adventures in the Borderlands

$13 tier (includes lower tier):

  • Monstrosities
  • Quests of Doom 3
  • The Borderland Provinces Gazetteer
  • The Borderland Provinces Players Guide
  • The Borderland Provinces Journey Generator
  • Strange Bedfellows

$25 tier (includes both lower tiers):

  • Digital Maps
  • Hex Crawl Chronicles 1-7
  • Chuck’s Dragons
  • Swords and Wizardry Card Decks
  • Tome of Horrors Complete