There are relatively few Adeptus Custodes units, and from what I’ve seen they all use pretty much the same colors (adapted per one’s shield company) — kind of like Deathskulls Orks. So I have a feeling one main color guide will cover most of my army.
As ever, I’m using a recipe from White Dwarf 161 (Nov. 2016) for the terrain, and washes/shades are in italics.
Terrain: Stirland Mud > Agrax Earthshade > Golgfag Brown drybrush
These recipes cover the basics for Dread Host Custodians, and in general they come straight from Citadel (with a few tweaks). I default to Citadel’s Parade Ready steps (base/shade/layer/layer), but with these guys I’m mixing in a bit of drybrushing as well. Gems are a big deal for Custodes, so I’m going to attempt a more realistic and detailed approach on those — and ditto with all their fancy blades, for which I’m trying Lahmian Medium for the first time.
Armor: Retributor Armour spray as both primer and base coat > Reikland Fleshshade > Auric Armour Gold > Stormhost Silver
Dread Host black:
Left pauldron: Abaddon Black
Robes: Abaddon Black > drybrush Eshin Grey > very lightly drybrush Dawnstone (follow option two in this excellent Artis Opus tutorial)
Weapons: Abaddon Black > Eshin Grey > Dawnstone
Dread Host gems: Stegadon Scale Green > Coelia Greenshade > Sotek Green in a crescent from 2 o’clock to 8 o’clock > Temple Guard Blue in a smaller crescent over the Sotek Green area > dot of White Scar at 11 o’clock
Dread Host eyes: Sotek Green (note this is a layer paint) > Temple Guard Blue
Blades: Stegadon Scale Green > Sotek Green + Lahmian Medium > Ulthuan Grey + Lahmian Medium > Fenrisian Grey + Lahmian Medium > Ulthuan Grey edges > dot of White Scar on the tip (follow this Warhammer TV video, but focus the lighter colors towards the tip/outer edges rather than in two areas)
Plumes, tassels, cords: Mephiston Red > Carroburg Crimson > Evil Sunz Scarlet > Wild Rider Red
Metal: Leadbelcher > Nuln Oil > Stormhost Silver
Parchment: Rakarth Flesh > Agrax Earthshade > Pallid Wych Flesh > White Scar > Eshin Grey for the writing
I haven’t decided whether or not I’m going to follow the Codex’s guideline for robes (they generally match the shield company’s color, so black or black/white for Dread Host) or the lone Dread Host mini pictured in the Codex, whose robe is red outside/white inside.
For the early steps, I’m painting my Custodes like I paint terrain, rather than figures — and there’s no touch-up step. That plus doing primer and base coat as one, with no overnight cure time, should make them significantly quicker to paint than my other models.
Assemble: Build all of them at once, then spray them all (rather than having parallel tracks for assembly, priming, basing, and painting on multiple units).
Primer and base coat: Spray the whole mini with Retributor Armour, which also only needs 15 minutes to cure (rather than curing overnight).
Base: As per usual, but apply the texture paint carefully around the feet so that the model is clearly standing atop, not mired in, the terrain.
Paint the nameplate: Just my usual steps, but extra careful around where the terrain meets the top edge of the plate.
Base rims: Paint as usual. (I normally do this last, to mark finishing the mini, but with the nameplates in the mix I want some wash in the crevices where the plate meets the rim, so the rims need to be done now.)
Gold touch-ups: I inevitably get a bit of Stirland Mud on what should be gold, so just fix it up with Retributor Armour. Check for little nooks and crannies that didn’t get hit (or hit hard enough) with the spray, and touch those up as well.
Shade: Wash the whole mini in Reikland Fleshshade.
Finish each non-gold element: Pick something (plume, gems, etc.) and take it from zero to done — base coat, wash, and highlight — for the entire army before moving on to the next element. Approach this whole process like I do with terrain: with the care of highlighting. I’m not bodging on paint and fixing it in a touch-up step; I’m carefully painting details surrounded by areas that are at a different stage of completion.
Seal: No weathering or decals for these lads, so just my usual Vallejo matte white sealant.
Tufts: As per usual; apply with white glue.
Glue the flight base pegs in place: I did this before sealing, without thinking about it. If I’d sealed the bases first, I could have slathered on my sealant with reckless abandon, without having to carefully avoid the clear pegs.
I always like to use a new minis project to build on existing skills and knowledge (e.g., painting these Custodians like I learned to paint terrain) as well as learn new ones, balancing the latter with not overwhelming myself and risking burnout. For my Custodes, realistic gem shading and more detailed fancy blades — with Lahmian Medium, which is new to me — are my stretches. I’m also hoping that a whole army painted without a dedicated step for touch-ups will help me paint more precisely across the board.
As I get into actual painting, I’ll update this guide so that it remains current.
I’ve been maintaining my hobby streak for miniature-painting (today is day 495), but over the past few months my pace has slowed considerably. I’m okay with that, and I stand by my philosophy on this: Any forward progress beats the zero progress I made for many, many years. Even if all I do is paint one Deff Dread’s horns, or one Marine’s Bolter, I’ve done something to keep the train moving.
If the train stops, it may not start up again for a long time (if ever).
But it hit me this morning that just as working on terrain was a great palate-cleanser between finishing my Blood Angels army and starting my Deathskulls Ork army, a third army might be just the ticket here. If I’d done that when I first got into painting, with my Angels, I probably would have lost all my momentum and burned out.
But now, with one 2,000-point army ready to go and a second with 37 figures done (32 standard-sized and 5 large ones)? That feels quite different.
It’s custard time
Way back in the before times (March 2020), when I was deciding what army to paint, I almost picked Adeptus Custodes because of the sheer awesomeness of the Vertus Praetors and Custodian Guard models. Blood Angels were the right call, though, and Orks were the right call after that — but now it’s time for the golden legion!
As a palate-cleanser, they fit the bill perfectly:
It’s an elite army, so it can be tiny. My current draft list is 20 infantry models and 6 bikes! That’s about half the size of my Marine army and a third the size of my Ork army.
Assuming I make them gold (which I will be), they’re like 90% gold — which means I can spray them with Citadel’s Retributor Armour, and treat them more like terrain. Primer and base coat in one, with just a handful of details to pick out after that. Boom.
Custodes should play quite differently than either of my other two armies.
They should also look different from my Angels, even though they might wind up gold/red. I’m basing them on Stirland Mud, and the studio recipe for their gold is slightly different.
I can also paint them as being clean and perfect, a marked shift from my Orks — which have a whole bunch of steps after I’d normally be done with a Blood Angel (checks, weathering, etc.).
Hell, I can probably even fit them in my existing overflow storage without needing to buy more cases. (And even then, they need one case at most!)
I also considered Grey Knights, who can rival the Custodes in the low model count category — and take Terminators, my favorite 40k unit, as troops (yes, I knocked together a 100% Terminator list just to see what it might be like). Ditto Harlequins, who have fascinated me since high school, but I was surprised to find that they’re not nearly as elite and actually need a fair number of bodies on the field. And I’d previously thought about Necrons and Death Guard, too. But none of them ticked as many boxes, nor felt as right, as Custodes.
At my fevered 2020 summer/fall pace, I could paint this entire 2,000-point army in 6-8 weeks. Now, something more like 4 months is probably reasonable. If I keep slow-rolling it, maybe 5-6 months?
I still don’t know if it’s “cuss-toe-dees” (my brain’s default pronunciation), “cuss-toe-dess,” or “cuss-toads,” but I do know that this is about half of my entire army:
I’m drawn to the Shadowkeepers based on their lore, and they do also look cool — but I want gold Custodes. As with Marines and Orks, it seems silly to go the custom route and lose access to rules for the canon shield companies (the five in the Codex), and not at all sporting to choose a custom color scheme and pick the best rules that week.
Setting Shadowkeepers to one side, I find myself drawn to the Dread Host — the Custodes who will smash your whole planet just to show the other planets what’s what. And I dig their color scheme, which uses black pauldrons, white leather bits, and blue gems. Even if I go with red plumes, they’re not going to be confused with Blood Angels.
As is traditional, I’ve kicked things off by building my first Custodian to mark the official start of my army: Inkaef, Custodian Guard of the Dread Host shield company. (For BA it was Sergeant Karios; for Orks, Moonkrumpa . . . who I tweaked and rebuilt like four times.)
I was tempted to lean into the whole pronunciation thing — and gently deflate the over-the-top bombast of the Custodes — and name the members of my custard shield company using Latin words for food: Shield-Captain Prandium (breakfast), Warden Bubulae (beef), Vexilus Praetor Capsicum Anuum (potato), Custodian Acetaria (salad). But that’s not me; I like the pretentiousness of the Custodes, who make the Astartes look like bastions of modesty, and I generally take my names seriously.
With so many Renaissance Italian, Latin, and Greek names in my Blood Angels army, I want to avoid the obvious choice — Roman names — for my Custodes. Since they’re drawn from the ranks of all the myriad noble houses of Terra, why should they all have similar names? My plan is to name every model (unlike my other armies, where I only name the characters, squad leaders, and vehicles), but beyond that I’m not sure how or if I’ll theme their names. (Inkaef was a 4th dynasty Egyptian prince.)
The Killa Kans kit is incredible — just absolutely packed with modularity and personality — and I had a great time with these two (as I did with my first Kan).
Since I have a better lightbox now, I figured I’d roll Mukkit in as well and have the whole gang in one photoshoot.
Here’s the whole mob, at what I hope are their golden angles:
I crossed my fingers when I painted each Kan a different shade of blue, but now that they’re all in one place I like that effect. In combination with my other units, it looks suitably hodgepodge for Orks.
And here’s each Kan individually:
…And then shots of the whole mob from all four sides.
The space-snail Skraggit is about to stomp on is from an Age of Sigmar kit, the Squig Herd. Wanting to use him prompted me to pose Skraggit mid-stomp, creating Skraggit as a character at the same time. Here’s his close-up:
I made a little slimy trail for him by forming a shallow trough in the texture paint, applying extra Agrax Earthshade to that area, and then skipping it when I drybrushed the rest of the base. It shows up best from above:
Next up is my Oldhammer project: 10 vintage ’80s/’90s metal Boyz, include 2/3 of the Goffik Rok band, with a little light kitbashing to bring all their wargear up to a reasonable WYSIWYG standard for 9th Edition. Too rowdy to be led by a Boss Nob, they’re oldsters who don’t play by the rules — and love to play their looted ‘oomie instruments. Their draft name is Deff Metal Mayhem.
Last Wednesday, my Seattle group started up a new D&D campaign set in a friend’s homebrew world. She unveiled the map for her setting, and it was amazing — pro-level cartography, tantalizing and inviting and clear, both functional and beautiful. She mentioned in passing that she’d created it in Wonderdraft, a mapping tool I’d never heard of before, so after the game I asked her how hard it was to create a map that awesome using Wonderdraft.
Not that hard, she said.
Now, to me that sounded like Michael Jordan casually sinking shots from mid-court, one after another, without even looking, while saying “It’s not that hard.” But she gave me some benchmarks for why it wasn’t that hard, how it involved a lot of painting (a plus for me), and how much simpler it was than learning Photoshop. That last one was key, because I’ve dabbled with Campaign Cartographer and it 1) felt a lot like trying to learn Photoshop, which I found to have a cliff-shaped learning “curve,” and 2) made me want to give up my worldly possessions and go live in the woods as a hermit.
So I took the plunge, watched a couple YouTube tutorials (D&D Breakfast Club’s tutorial 1 of 4 and Icarus Games’ video on transferring maps to Wonderdraft), and within 15 minutes I’d determined that 90% of what I wanted in a professional Unlucky Isles map was something I could do in Wonderdraft — and, like my friend said, it wouldn’t be that hard.
TL;DR: The new map of the Unlucky Isles
This map took me about 20 hours to make (including time spent finding assets and learning how to use Wonderdraft):
And here’s its predecessor:
I was worried I’d have to create every map twice so that I could take advantage of Worldographer’s numbered hexes, a feature not found in Wonderdraft. But Wonderdraft has a robust user community, and that community has created a tool to give you numbered hexes. I also realized that while I always build my maps with old-school hexcrawling in mind, 99% of my fantasy RPG play has not been old-school hexcrawls.
In fact, 99% of that play has been in games that would benefit more from a Wonderdraft-style map than an old-school hex map. I’ve also found that I’m not taking advantage of one of Worldographer’s killer apps, which is the ability to map the same setting at the world, continent, and more local levels (with automagical terrain generation and child maps). And when I can drop a hex grid on my Wonderdraft map, run an addon to number those hexes, and have the best of both worlds (no pun intended), that really seals the deal.
Whoa, that’s too many cities! And too many people
Redoing this map — and expanding it — in Wonderdraft prompted me to name a lot more stuff. While browsing r/Wonderdraft I came across a comment on a user’s lovely map about there being too many settlements (not a universal truth, but a salient point for an RPG setting), and that plus my own mapmaking made me realize that I had too many cities in the Isles. I’ve wondered whether the Isles were too populous ever since I started ballparking the numbers, but this threw it into sharp relief.
So, a reckoning. I wiped out all the labels I’d created on my first big “map day” (after jotting down all the names for future use), rolled up my sleeves, and tucked into some revisions.
I’m leaning on two sources here, and moving WWN itself to the background (because those numbers skewed high): Medieval Demographics Made Easy (MDME), which the ever-brilliant S. John Ross has graciously made freely available with a very permissive license (and, as such, is now hosted here on Yore); and a Medium post by Lyman Stone looking at the same topic through the lens of Game of Thrones. They’re in broad agreement, which is good enough for me.
Let’s start with approximate hex counts, not worrying yet about what might count as wilderness (except in the lone very obvious case):
Arkestran Dominion: 215 hexes not counting the Wastes
Yealmark: 41 hexes
Brundir: 420 hexes
Rasu Miar: 165 hexes
Mainland Kadavis: 133 hexes of Kadavis proper on this map
Meskmur: 115 hexes
Ahlsheyan: 225 hexes on this map
I’m mapping in 6-mile hexes, which contain roughly 9 square miles. Ross and Lyman agree that a medieval (~1,000-1,500, more or less) population density of 100 people per square mile was an outlier reserved for only the most populous, arable nations. At 900/hex that’s 1,100 people/hex fewer than WWN posits — and most countries in the Isles will be well below 100/square mile.
Ross notes that 14th century England had about 40 people/sq. mi.
Lyman notes that if you average the figure from 1,000 to 1,500 CE, Scotland had about 4-8 people/sq. mi. (and, disagreeing with MDME, England comes out to 11-30 people/sq. mi.)
Whichever stat you use, the country I tend to treat as my benchmark for medieval population figures — England — has a lot fewer people/sq. mi. than my original estimates for the Isles. There’s also the whole fuzzy consideration that while the average medieval European country was just rotten with hamlets and thorps and whatnot, so dense with settlements that you couldn’t throw a stone without hitting the next one over, worlds designed for D&D-style adventuring need blank spaces.
Just to get the ball rolling, let’s say Brundir has 40 people/sq. mi. (420 hexes, not counting any as wilderness). That’s 151,200 people. WWN and MDME would both put about 5,000 people in Brundir’s largest city; WWN postulates about 15,000 in cities nationwide. The next largest would be 2,500. Both of those are pretty small cities — in fact, MDME doesn’t even consider a settlement a city if it has fewer than 8,000 people in it.
So how about Brundir with a population density of 75 people/sq. mi.? That gives Brundir the following stats:
28,000 in cities
9,300 in the largest city
3,780 sq. mi. of territory (420 hexes)
1,575 sq. mi. of which is farmland (175 hexes, using MDME’s formula of 1 square mile of farmland supporting 180 people)
That feels more right to me than my initial WWN-driven population estimates. I don’t need to delve any deeper for the time being, but when I do this is the route I’ll be following.
Two things that have really been making Wonderdraft sing for me are Mythkeeper, a free tool which automates adding new assets (symbols, etc.) to Wonderdraft, and the Cartography Assets site, which is chock full of free and paid Wonderdraft asset packs. I fell in love with symbols pulled from old maps, so all of the forests, mountains, etc. on my Unlucky Isles map are drawn from historical examples.
For the sake of my sanity — and so that, if you like, you can create maps in this style — I’m recording some of the Wonderdraft choices and options I’ve used to create this map. Some things, like the map textures, are visible on a finished map when you load it in Wonderdraft — but many are not. Which of the seven sets of mountain assets did I use? What brush opacity did I color them with? That’s what this list is for.
In general, I’m always using brush #3 (the blotchy spray), and varying scales but usually 50% or below. All the names (Vischer, etc.) refer to assets or asset packs on Cartography Assets.
Mountains: Vischer or Widman mountains, #976035, brush opacity 1.0
Snowcapped peaks: Just paint the tips #FFFFFF, brush opacity 0.5
Volcanoes: Van Der Aa mountains, AoA Volcanoes Pencil smoke, #976035, brush opacity 1.0
Snowbound mountains (as in the Ice Courts): As snow-covered terrain, then add light squirts of #976035, brush opacity 0.25, just to break things up visually
Barren hills: Ogilby hills, #C8AD93, brush opacity 0.5
Verdant hills: Vischer regular hills (which are grassy/overgrown), so far only painted as forests
Forests: Vischer or Van Der Aa assets, with individual Vischer trees mixed in, #74A035, brush opacity 0.5; usually I add a few squirts of #2E6020, brush opacity 0.5, for variety
Deep Forests: #2E6020, brush opacity 0.5
Dead trees: Mix of default dead trees and Zalkenai’s dead trees, black, varying scales, #828864, brush opacity 0.5
Marshes: Vischer wetlands assets, with a few Widmer individual trees mixed in for variety, #37835E
Scrubland: Mix of Ogilby and Vischer scrub, #BAB26D, brush opacity 0.5
Farmland: Vischer furrowed fields, #BAB26D with a couple blasts of #74A035 for good measure
Broken lands: Popple hills, so far only used in the Atrachian Wastes so they were painted as dead trees
Vineyards: Vischer vineyards, a few squirts of #735B79, brush opacity 0.25
Snow-covered terrain: #FFFFFF, brush opacity 1.0, with brush opacity 0.5 around the edges and a few squirts of #847F6D (opacity 0.1) mixed in to break up the whiteness a bit
Ruins/mysterious towers: Vischer ruins and monuments mixed with Van Der Aa towers, with Popple scrubs thrown in until it looks right; #828864, brush opacity 0.25, with a few squirts of brush #1 around it for blending
Weird obelisks: Vischer ruins and monuments; colored #828864, brush opacity 0.5 (So far, only used for the Thefaine in Aaust.)
Settlements: Custom Colors assets (included by default), #00000
Cities: Circle with dot in the center, 50% scale
Capital cities: Circle with star in the center, 50% scale
Raise/Lower Landmass Tool for coastlines: Roughness 2
Labels: Gentium Book Basic Bold (included), outline #000000 thickness 1 (except for bodies of water)
Nations: #B93841, font size 48, curvature 0.15, always horizontal
Cities, capital cities, towns: #B9B4B4, font size 20, no curvature, always horizontal
Castles, forts: As cities, but font size 14
Ruins: As castles, but curvature -0.2 instead of horizontal
Large bodies of water: #7EABA1, font size 36, outline 770C232C, curvature varies but always curved, orientation varies
Small bodies of water: As large, but font size 14 or 24
Rivers: #B9B4B4, font size 10, curvature varies but always curved, orientation varies
Major geographic features: #B9B4B4, font size 24, curvature varies but always curved, orientation varies
Minor geographic features: #B9B4B4, font size 14, curvature varies but always curved, orientation varies
I also like to mix in squirts of brush #1 (spray paint), 0.5 opacity, to blend the transitions between painted areas (primarily the default “not arable” beige and “arable” greenish-brown).
Non-English letters in labels
I’ve found that it can be handy (on PC) to have the Character Map app open for easy cutting and pasting into Wonderdraft labels. Every character won’t paste, presumably because my Wonderdraft font choice doesn’t include it — but enough do for me to get the job done.
And on the language front, Lexicity is another awesome resource for dead languages. It’s not as straightforward as Palaeolexicon, since it curates links rather than simply presenting dictionaries — but it has a lot of resources to offer.
Wonderdraft isn’t as simple as Worldographer. For the purposes of creating a setting using Worlds Without Number (paid link), it is 100% Too Much Gun. When I’m working on a setting, creating a polished, beautiful map is a step that becomes a vast gulf between me and producing actual gameable content, and it leads to abandoned projects. It’s the antithesis of WWN’s highly successful “never give up your momentum, never stall out trying for perfection” philosophy.
But at this stage, with a full cycle of WWN’s region creation and kingdom creation under my belt (as in, I could run a game set in the Isles tonight), and as I’ve already moved on to a second region of Godsbarrow, making a pretty map of the Isles isn’t a roadblock of any kind. I don’t need it, and it’s not holding anything up; my Worldographer map is perfectly functional for play.
There is, however, no substitute for sitting down to play and having a gorgeous map in front of you — one that raises questions, makes you want to explore, and makes the setting feel real. If you’ve ever opened up an AD&D Forgotten Realms product and unfolded one of those glorious maps, you know that feeling. I want that for Godsbarrow, and I hope my map succeeds at that goal.
I’ve reached the kingdom creation step in Worlds Without Number (paid link), and decided to zoom in on one caθna (province) in Brundir, Sanχu. (WWN notes that “kingdom” can mean anything you want it to in this context, from a city to a stretch of wasteland to an actual nation.) If I were about to start up an Unlucky Isles campaign, this is where it would begin.
As I worked through this step, I jotted down some notes to put Sanχu in context; I’ve left those in place in this post. As with my other Godsbarrow posts, this is pretty raw from the creative furnace — lightly copyedited and proofread, but that’s about it. All of that adds up to a pretty long post, and one that feels more like my now-deleted “Let’s create an X” series (fuck Judges Guild).
If I were putting this post into gazetteer format for use in play, it’d be a lot shorter! But this series, and process, is about enjoying making the sausage and sharing how the sausage is made — so hold onto your butts, I guess?
Located in eastern Brundir, Sanχu is anchored by Cape Reckless (hex 3020 on the Unlucky Isles map), the city situated at the river delta along the eastern coast of Brundir’s central bay.
Why start there? It’s in the middle of the Unlucky Isles map, but it’s not centered on Brundir’s capital city (and, presumably, its most populous region). It’s close to Yealmark, with the Dominion just to the north — and the divided isle even closer. A day or two’s ride to the east, you’ve got Rasu Miar and its raiders; Deathsmoke Isle and Meskmur are also accessible from that eastern river delta (by boat, of course). There’s a vast, haunted forest — the Ockwood — just to the south, and presumably plenty of sparsely-populated areas nearby. It also features a tempting blank space in its southeastern “quadrant.”
Pick a linguistic touchstone and give your kingdom or area a name.
Brundir’s linguistic touchstone is Etruscan, which applies to the entire nation. (I use Palaeolexicon for my dead languages.) I like the idea of this area having its own name or nickname, so it’s called Sanχu (“SANK-thu”). Sanχu is one of the eight caθna (“KATH-nuh”) into which Brundir is divided (provinces, basically). People from Sanχu are referred to as Sanχuns.
Total Collapse (rolled): A century ago, a ship set out from Cape Reckless on an expedition to recover relics — blood, bones, flesh — from the god Slljrrn’s corpse. When it sailed back into port, no one was aboard. Its sails were black, its weathered planks were tarred red, and the tolling of a great sonorous bell could be heard from within. A curse spread from this ship to the city, and from there to the rest of Sanχu.
It afflicted most of the population, and those cursed were fated to have the worst possible luck. If something they did could go wrong, it went as wrong as it possibly could. The entire caθna dissolved into chaos within weeks.
Many tried to destroy the ship, but no one could get near it. Eventually, cursed relics were brought in from Brundir’s capital and unsealed in Cape Reckless; the dark entities within swarmed the ship and dragged it beneath the waves.
Xenophilia (rolled): Past efforts to reduced the number of Miaran raids on Sanχu’s eastern coast gradually grew into a relationship between Sanχu and the blighted isle. Sanχu has absorbed many refugees, expats, and former raiders from Rasu Miar, and with them has come an appreciation for Kadavan culture among the native Brundiri. Sanχu has welcomed dozens of Kadavis’ small gods, picked up Kadavan customs, and bolstered its naval crews with Miaran ex-pirates.
Noble Strife (rolled): Some time ago, Sanχu spent 10 years being ruled by a dead person — and not undead, but actually dead-dead. The caθna is generally known for its loose relationship with the laws of the land, and a minor σuθi (“SOO-thee,” essentially a noble house) saw an opportunity to carve a blood-red path to power. They succeeded, but the σuθi’s inner circle feared her new clout and decided to assassinate her just as she assumed power.
They covered the whole thing up, and for the next decade no one saw the ruler of Sanχu. Eventually, that same inner circle collapsed into chaos and blood, and things returned to normal — save for some peculiar local customs now in place to ensure that Sanχu’s leader is verifiably alive.
Decide how it is ruled and identify the ruler.
“Give names and a sentence or two of definition to the rulers in the area, with the tables starting on page 132 providing some help.”
Here’s what I already know: Brundir as a whole is ruled by the Red Admiralty, composed of nobles, schemers, folks elevated on merit, etc. There are nobles, and Sanχu has noble houses (the σuθi). It stands to reason that a mix of lineage, scheming, and merit goes into the government here, too. And given Brundir’s naval focus and the fact that the government is an admiralty, that’d be a fun throughline to echo here.
That means I don’t need some of the tables in WWN. There’s one ruler, with a patchwork of local-level nobles under them. The ruling class is mixed: hereditary, political, etc.; it also changes, via coup or whatever.
Sources of Legitimacy could be a fun one, though. I rolled an 8, “They brought greater prosperity to the land.” That fits with Brundir’s role in the Isles, and tells me something interesting about Sanχu.
“How do they exert their will?” A 10, “Hireling enforcers employed at need.” Neat! That’s not where I’d have gone on my own. Following the sandbox principle of playing with the toys you already have, let’s make that mainly a mix of Nuav Free Spears and ex-raiders from Rasu Miar.
Forms of rulership I already know, and I guess it’s closest to “Seniormost representative of the ruling class.”
Diseases of Rule also sounds fun to roll. I got a 1, “The ruler’s trying to crush a too-powerful lord.” For the One-Roll Government Details charts, I rolled:
Ruler: outsider with few existing allies
Ministers’ problems: out of touch or lazy in their work
Strength of government: firm economic control over the land
Stability of government: relatively stable, with strong legitimacy
Officials recently causing problems: corrupt village headmen acting as tyrants
Recent government event: major faith was offended by the rulers
Okay, so let’s sum that up into a sketch of the current ruler of Sanχu and the nature of its government.
The governor of Sanχu is Prasanai the Ochre, of σuθi Duru (“PRAH-suh-nye,” “DOO-roo”). Prasanai is a Miaran who settled in Sanχu after many years raiding its coasts. She rose to head of σuθi Duru by assassinating her rivals and exerting control over Miaran raiders (“Do what I want, and you’ll be safe from the raiders”).
No one likes Prasanai, but no one disputes her right to rule — and economically, Sanχu is doing well under her governance. Her puppet officials through the region are causing problems, though, and Prasanai herself has run afoul of the Brundiri religion by over-harvesting the trees of the Ockwood (for masts, of course) and not paying proper obeisance to θana in the process.
Identify the enemies of the rulers.
Three σuθi were harmed or slighted most by Prasanai’s rise to power and the dominance of σuθi Duru: Karkana, Faladum, and Veśi (“KARR-kah-nah,” “fahl-ah-DOOM,” “VEH-shee”). The lord of σuθi Karkana, Velenθalas (“WEL-enn-thahl-ahs,” the “too-powerful lord” from an earlier roll, who is non-binary) has convinced the other two to ally with them in a bid to topple σuθi Duru. They’ve seized on Prasanai’s limited understanding of Brundiri religion as one path, mobilizing the faithful; their other path is paying Miaran raiders unaligned with σuθi Duru to stir up trouble.
Choose one or more problems or goals it’s facing.
Combining some earlier results and choices: Miaran raiders not loyal to Prasanai are being bribed by the mayors of many coastal towns to attack their neighbors and rivals, harass traders so that they choose their towns instead, etc.
Velenθalas, lord of σuθi Karkana, is encouraging, enabling, and leveraging this practice — and it’s on the verge of becoming a larger problem. Enough disruptions will prompt retaliations, weaken σuθi Duru’s rule, and could even lead to towns mustering their militias and attacking one another directly. Unchecked, that could in turn lead to wider chaos — and even start a civil war, as native Brundiri turn on Brundiri of Miaran descent.
Make a rough map of the area.
For my purposes, at the moment, I don’t need this. I already have the major features of Sanχu mapped out at the 6-mile-hex level, including its relationship with neighboring regions of Brundir.
If I were about to start up a campaign in Cape Reckless, I’d zoom in to the 1-mile hex level and map the area around the city.
Place ethnic groups and demihumans.
Sanχu’s population is a mix of native Brundiri (the majority), people of Miaran stock who immigrated generations ago, and Miarans (a distinct minority).
After humans, the most significant population of other species is dwarves, most of whom are of Kadavan (Miaran) descent. There is also a small population of elves, either those who fled the oppressive rule of the Dominion or the descendants of those who did so long ago.
Given Brundir’s focus on trade and seafaring, there’s a sizable population of Sou gnomes here at any given time — though Sou rarely settle on land, preferring to moor their boats for as long as they feel like sticking around (which can be for many years).
Language-wise, Brundiri is the main one, of course. Tamosi (the language of the Sou gnomes, also known as Tradespeak) is also widely spoken. Third is Kadavan.
Flesh out the society and style of the kingdom and its occupants.
I feel like I have some of this in place already, from the previous steps. But it’s also a stand-in for Brundir as a whole, and I haven’t developed Brundiri society yet — so let’s do that, and then see if Sanχu differs in any way. (I’ve crossed off the two results I wound up skipping later on.)
Typical skin colors: golden, sallow, or ivory
Hair color/texture: night-black/thick and flowing
Eye coloration: grays, whether flat or metallic
Typical build: much bigger and bulkier than neighbors
Optional common forms of adornment: piercings, whether minor or elaborate
Values they esteem: courage and valiance in danger
Major unit of social identity:far-flung clans of affiliated families
The physical appearance I rolled is a perfect blend, though. It tracks with some of what I was unconsciously picturing, and the random elements map nicely to what I already know about Brundir and its people. Let’s update the skin tone to “golden brown to reddish brown” and leave the rest as-is.
So Brundiri are typically taller and bulkier than an average human, with skin ranging from golden brown to reddish brown, gray eyes, and flowing, night-black hair. They wear piercings for aesthetic and cultural reasons, and it’s rare to meet a Brundiri without at least one.
After some consideration, I love this one:
Values they esteem: courage and valiance in danger
But the next one needed rerolling, and now it’s perfect:
Major unit of social identity: patron-client relationships with major figures
I’m skipping the last table, which resulted in “fantasy Viking land” as a cultural template. For one thing, this approach — mapping real-world societies loosely to fantasy ones — is widespread and no longer really interests me. Maybe at the extreme end of “loosely” — like, as an island nation with a powerful navy, Brundir has always shared some traits with England in my mind — but that’s about it. Secondly, this can be a minefield for unintentionally creating problematic content; that alone is a good enough reason to avoid it.
Instead, let’s sum up what I know about Brundir so far and see if that turns into a coherent, gameable cultural sketch:
Strong martial component to its society, ruled by an admiralty, large navy
Principal religion involves trees, forests, good fortune, and building a foundation that lets you take advantage of opportunities
Rich in natural resources
Haunted, cursed, and full of strange creatures
Brundiri tend to have a pessimistic streak
Piercings are commonplace, for aesthetic and cultural reasons
Populous, with almost 1/3 the population of the Isles living there
Mix of nobility, merit, and scheming determines who is among the elite
Not shy about fighting over territory, and stubborn about giving it up
Willing to make bold plays, like giving all of what is now Yealmark to the Free Spears
The major power in the Isles
Yep, I think I’m good!
Lastly, I’m not just describing Sanχu here — this applies to all of Brundir. Maybe there are some local quirks to Sanχu, but Brundir is pretty small and I don’t want to get too bogged down at this stage. So this step is a hybrid of province-level and kingdom-level creation, which I like.
Assign local gods and religious traditions.
This is an interesting one. I’ve got the block-and-tackle work already done (way back in part one!), but this step is a chance to add a more local flavor to Sanχu.
θana (the forest; the versatility of trees) and σethra (good fortune), commonly referred to as the Mast and the Sail (the strong, well-made foundation that enables you to catch the winds of good fortune, taking you away from the ill luck of the Isles).
With strong ties to Rasu Miar, and many Miaran-descended Brundiri and recent immigrants, worshippers of Kadavan deities are commonplace. That includes Iskuldra, head of the pantheon of small gods, as well as the small gods who best match the needs of the Miaran people here (and dozens of others not worth listing; Kadavans have a lot of small gods):
Nusket (“NOOS-kett”), the Thousand Minnows, a deity composed of a school of small golden fish; commonly held to bring good fortune to fisherfolk. If you see a gold-tinged fish, it might be part of Nusket — and you’ve been blessed that day.
Sinthana (“sinn-THAH-nah”), steward of well-tied knots.
Kulketh, Imp of the Threshold, who punishes those who don’t sweep the area in front of their door clean each day by inviting thieves into their home.
(As an aside, I have to say that after using linguistic touchstones for this long, it feels harder to come up with names that don’t suck without one!)
This step also talks about planting at least one malevolent deity and/or sinister cult for adventure fodder. That sounds like fun, so I’m going to remix an idea I had years ago (back when I was working on Bleakstone) and turn it into a Dormiir-wide problem that poses a significant threat to Sanχu.
The Many Tongues of Skulvezar
Skulvezar (“SKULL-vezz-ahr”) is the god of skeletons. His symbol is a grinning skull wearing a “crown” made of freshly-severed tongues nailed into place. Every skeleton returned to unlife in his name becomes part of Skulvezar, magically connected across any distance. To challenge his dominion, you have to scatter the bones of your dead; in places where the Tongues (cultists of Skulvezar) are especially active, burial practices tend to change so that they include dispersing the bones.
If a worshipper nails a severed tongue — from a sentient species — to the skull of a mostly-intact skeleton, it will animate and do their bidding. So if you’re gonna go down that road, you need creepy ambition, skeletons, and people’s tongues…and no one will like you, so you’re probably skulking about in secret.
Sanχu is home to a thriving cult of Skulvezar.
And for now, that’s it! There are other sections in this chapter of WWN — Religion Construction, Government Construction, etc. — but they all feel like “do ’em when you need ’em” projects to me. (And more to the point, WWN presents them that way, too.)
Which brings me to another turning point: Do I develop one sub-hex around Cape Reckless, in Sanχu, as a starting point for a future campaign, or do I pick a region adjacent to the Unlucky Isles and return to step one for that new area of Dormiir?
“Common” is a bit boring, but boy is it useful in actual play. I’ve already established that each of the nations in the Isles has its own language, but I’d like a common language as well. I also haven’t mentioned halflings or gnomes at all in the Unlucky Isles — so what if Dormiir’s “common tongue” is gnomish or halfling Tradespeak?
Shit, gnomish sailors sound awesome, and with water playing such a big role in the Isles, and waterways extending away from it in every direction, a lingua franca based on trade and shipping makes a lot of sense.
So, gnomes! I love gnomes. (This shouldn’t come as a surprise to longtime Yore readers.) And the detour I took while creating Sanχu — which might well have not come up at all without WWN’s steps, or without having just finished the excellent Netflix series Shadow & Bone — is one of my favorite things I’ve created in Godsbarrow to date.
Tamosi, and Sou and Sirali words in general, are based on Carian. Carian is a dead language which originated in Caria, in Asia Minor. As with the other linguistic touchstones I’m using for Dormiir, I learned about it on, and am harvesting words in Carian from, the excellent Palaeolexicon.
The gnomes of Siral (“SIHR-ahl”) lived in constant fear of their spiteful, vengeful principle deity, Omob (“Oh-mob”), for whom no amount of obeisance and tribute was ever enough. Some fled, settling in other places throughout Dormiir, but most Sirali believed that if they abandoned — or worse, attempted to kill — Omob, it would destroy the entire world. So they stayed, and they suffered.
Long ago, in a fit of rage at the Sirali, Omob tore an 8,000-meter (Everest-height) mountain from the earth, flipped it over, and smashed it into the center of Siral. The mountain struck like a meteorite and cracked, shedding million-ton rock faces and devastating the region. Uncannily, much of the mountain remained bound together by Omob’s seething magic — so there’s literally a jagged, upside-down mountain dominating the landscape of Siral. It’s a few hundred meters across at its current base (the ground) and half a mile wide towards the top, which is two miles high, and is now called Ntokris (“un-TOKK-riss”, which means “the shattering of our home and our people” in Tamosi).
As a people, most gnomes reached the same conclusion on that dark day: Fuck Omob, fuck having a home that evil prick can destroy, and fuck gods in general. Not all gnomes, of course (species does not equate to monoculture in Dormiir); many stayed in their devastated homeland, fearing a greater cataclysm if they abandoned Omob.
But most of them left, scattering to the four winds in boats and ships, and over generations they established the borderless, landless, boundless “nation” of Souan (“SOO-ahn,” which means “our home is on the water and under the sky” in Tamosi).
The borderless nation and Dormiir’s common tongue
Sou gnomes have plied the seas and rivers of Godsbarrow for ages, connecting faraway countries through trade for many generations — and so their language, Tamosi (“tamm-OH-see”), has become the common tongue of Dormiir, often informally called Tradespeak. While most nations have their own languages, Tamosi is widely spoken throughout the world (and especially in ports and major cities).
As a trade tongue, one reason Tamosi works so well is that it excels at expressing complex concepts with a single, short word — like “Ntokris,” which says “the shattering of our home and our people” in a single seven-letter word of just three syllables.
Sometimes the Sou come together in great moots, anchoring or lashing together their boats and ships and forming temporary floating towns and cities to trade, swap stories, marry, celebrate their freedom from Omob, and mourn their kindred who stayed in benighted Siral.
Sou gnomes are a common sight throughout Dormiir, and they’re welcome almost everywhere. Collectively, they’ve traveled the world more extensively than just about any other group; from shallow water to the high seas, the Sou are everywhere.
I’m closing in on a fully developed region of Godsbarrow now — and honestly, this is the first time in 30+ years of gaming that I’ve had this much of a world developed to this extent. It’s an awesome feeling, and Worlds Without Number (paid link) continues to deliver. Not only that, but five weeks into daily worldbuilding I’m still having fun, I still love this setting and want to know more about it, and I’m still not getting bogged down in details that will never matter at the table.
This was the longest step so far. It doesn’t feel like it’s supposed to be a lengthy step, but at the same time I’ve got six nations so that means 30 relationships and 30 wants. That takes time! I also found myself falling into Star Wars prequel territory, as in “Who gives a fuck about a trade dispute?” — so I kept stepping back and trying to come up with new wants/relationships that avoided the trap of being boring and/or same-y.
One way I did that was by writing just one or two things a day, rather than banging out a bunch of them at once. Another was to jot down every nation’s wants after I was done, and check that quick list against the original summary of each nation to make sure I was using this step to bring out the flavor and character of each country.
I also found that every relationship and want was a potential wellspring of fun worldbuilding, which I enjoyed a great deal. Lots of new setting details sprang from this step. I also made sure that every want was either an adventure/campaign hook or a source of multiple hooks, because this process is all about creating useful, gameable content.
Define the relationships between the groups.
There are two components to this step: What each nation thinks, generally, about each other nation; and a specific thing each one wants from each of the others. My quick and dirty map with borders will help visualize what’s what in the Isles:
As with a couple of the other steps in WWN, this one doesn’t match the example region in the book. There are lovely write-ups for each Latter Earth nation in the region, but they don’t have national relationships or wants listed for them. Consequently, I might be doing this wrong! Or at least not approaching it from an optimal perspective, maybe?
For example, my default is “What does the government think of this nation?” rather than, say, “What does the average Brundiri think of Ahlsheyan?” I don’t know if this is the right approach, but it was a fun process and my output feels pretty gameable.
Yealmark: A dangerous wildcard. The Dominion hasn’t encountered a “mercenary nation” before, but has seen what the Free Spears can do when mobilized.
Want: To install an “advisor” in the court of Yealmark who, through bribery and other means, can entice the Free Spears north to work for the Dominion. If that fails, the wraith-priests will consider a Wraithsea assault to wipe out the Free Spears’ leadership.
Brundir: A foe that currently requires too much work to eliminate. Brundir is on the Dominion’s list to be crushed, but not at the top; their concerns are to the north (and not in the Isles).
Want: To use the Wraithsea to enter the god Nsslk’s dreams and assassinate him, thereby “poisoning” the waters around Brundir with his essence — and perhaps even compounding Slljrrn’s curse on the Isles. A devastated Brundir would be much easier to assimilate into the Dominion.
Kadavis: A juicy target. Kadavis has over 200 gods and a is a wealthy nation — a ripe prize for a country that owes much of its power to its sleeping pantheon and mastery of the Wraithsea, and which is always seeking to expand its domain.
Want: The Dominion’s wraith-priests want to locate one of Kadavis’ “small gods” and put them into god-sleep, giving the elves a local nexus for their machinations in the Wraithsea. If they succeed, they’ll do the same with every Kadavan god they can find.
Meskmur: The key to keeping the peace in the Isles. If Meskmur were to fall, or disclaim its neutrality, it would destabilize the region — making it easier for the Dominion to swoop in while the island nations fight amongst themselves.
Want: To destroy Meskmur through a campaign of infiltration, Wraithsea manipulation and assassinations, and other nefarious means. A large, well-financed Kasdinar (“KASS-dinn-arr,” a formal — but usually temporary — cadre of wraith-priests and their agents dedicated to a specific purpose; think Oaths of Moment in pre-Heresy Warhammer 40k) was formed to accomplish this goal.
Ahlsheyan: Third in line to be conquered, after Brundir and Meskmur. For now, the Dominion has a neutral relationship with Ahlsheyan, with some trade flowing in both directions.
Want: With its unchanging pantheon of three active (not sleeping) gods, Ahlsheyan is difficult to access via the Wraithsea. The wraith-priests want to “exhume” one of the Dominion’s slumbering lesser gods and transport them — still asleep — to a secret site within Ahlsheyan. Step one is for Dominion agents to identify that site, and a Kasdinar is currently undertaking this mission.
Arkestran Dominion: A target for expanding Yealmark to the mainland. The Free Spears are nothing if not audacious, and with Brundir having their back and the Dominion largely ignoring its own hinterlands, the southern reaches look ripe for takeover.
Want: To annex the Arkestran city in the marshes just north of Yealmark, along with all of the surrounding land visible on the Unlucky Isles region map up to the border of the Wastes. Yealmark correctly views the Wastes as a barrier to the Dominion reacting quickly enough to stop them (holding this territory, however, is a different story).
Brundir: A staunch ally and former patron. The Nuav Free Spears have become a more potent force since they established a home base, including shipping, trade, training grounds, etc., in Yealmark, and that’s thanks to Brundir.
Want: To add another piece of Brundir to Yealmark. The Free Spears have their eye on the disputed island between Brundir and the Dominion. Having it deeded to them would take the problem of defending/contesting it off Brundir’s plate, while also giving Yealmark a larger foothold in the Isles — and more room to invite other Nuav mercenary companies to join them here.
Kadavis: Potential customers, especially Kidav Taur. The Free Spears have been exploring the possibility of helping Kidav Taur achieve its independence — but the catch is that the Miarans can’t afford them.
Want: Rumor has it that Bruzas, the Free Spears’ primary deity from back in Nuav, once traveled to Rasu Miar and drenched the entire island in sacred blood. Where the blood pooled, strange things grew. The Spears want to find these holy sites — and if they do, they may lay claim to Rasu Miar on that basis.
Meskmur: A mysterious place whose neutrality means it isn’t likely to buy the Free Spears’ service, and therefore not of particular interest.
Want: Yealmark wants to know more about Deathsmoke Isle and the Red Twins who are said to live in its volcanoes. Their religion teaches that fire and heat are the stuff of life, but Deathsmoke appears to bring only death to Rasu Miar. The first Free Spears scouts sent to the island disappeared without a trace.
Ahlsheyan: A wealthy potential customer. Right now, Brundir pays better — and being granted Yealmark has won the Free Spears’ long-term allegiance. But like any mercenary company, their allegiance can be bought…and Ahlsheyan has deep pockets.
Want: The Free Spears have established a handful of secret outposts in the foothills of the mountain range that crosses northern Ahlsheyan. They intend to gradually build up their strength there and then offer both Brundir and Ahlsheyan the opportunity to employ the Spears in a surprise attack; the low bidder gets attacked.
Arkestran Dominion: A sleeping giant, best ignored if at all possible — but if they turn their attention south again, they will need to be met with force. The Red Admiralty has spies (mainly elves) in the Dominion’s southern reaches, hard at work helping to foment the rebellion that simmers there so fighting it will keep the Dominion busy.
Want: To goad the southern reaches into open revolt against the rest of the Dominion.
Yealmark: A staunch and incredibly useful ally. The Red Admiralty sees only benefits in maintaining strong ties with Yealmark, and is careful to never imply that Yealmark is a “client state” — although elements of the Admiralty view it as one.
Want: To ensure control over the Free Spears, the Red Admiralty wants to bury a set of haunted relics throughout the capital city. Brundiri Afuna Kavθa (“uh-FOO-nuh KAW-thuh,” wizards who are part ghost-talker and part spirit-wrangler, and almost always haunted themselves) would be able to use those relics to bedevil, beguile, haunt, or assassinate Yeal officials as needed.
Kadavis: A potential catspaw, but also a valuable trading partner. Mainland Kadavis cares little for Rasu Miar, and the island itself is split between loyalists and secessionists. Manipulating Rasu Miar can help Brundir maintain its status as the principal power in the Isles.
Want: Brundir’s Red Admiralty wants to goad Rasu Miar (and especially Kidav Taur) into attacking Meskmur — a rival power broker and the controller of volcanic smoke that could easily be redirected to Brundir.
Meskmur: A twofold threat, but also useful one. One, Meskmur conserves its considerable power by remaining outwardly neutral in the Isles (never officially confirming that it is slowly destroying Rasu Miar via Deathsmoke Isle), and Brundir would like to cement its own role as a power broker. And two, if Meskmur decides the Deathsmoke plume should veer west instead, it would threaten the very existence of Brundir.
Want: The Admiralty wants to assassinate Meskmur’s deities, the Red Twins of Deathsmoke Isle, thereby permanently removing the threat posed by the twin volcanoes — and much of Meskmur’s hidden power in the Isles.
Ahlsheyan: With its expertise in shipbuilding, powerful navy, and foothold on Brundir’s doorstep, Ahlsheyan poses a threat to Brundir’s dominance of the Isles. But since Brundir took the significant half of Slljrrn Isle, the Admiralty has strived to keep the two kingdoms in a state of uneasy peace — one that still allows trade, and which avoids open war.
Want: To convince Ahlsheyan’s seaport on Slljrrn Isle to declare its independence and join Brundir, either outright or as a client state. The city is relatively distant from Ahlsheyan’s political center, and Brundir already controls half of the island where it is located. With the Red Admiralty in charge, this is a campaign of sabotage, diplomacy, assassination, infiltration, and skullduggery.
Arkestran Dominion: Rasu Miar doesn’t much care about the Dominion (and vice versa), but mainland Kadavis views it primarily as a trading partner with whom they’d like to do a lot more business.
Want: To figure out how Slljrrn’s essence created, and is expanding, the Atrachian Wastes — and then weaponize that same process against Meskmur, ravaging the entire island.
Yealmark: For mainland Kadavis, the future governors of Rasu Miar. Kadavis has seen the best way to buy the allegiance of the Free Spears, and they want in — but without actually giving up any territory (and the associated glory). For Rasu Miar, a juicy target for raiding and infiltration. Yealmark is such a chaotic “party island” that opportunities for both abound.
Want: To convince the Nuav Free Spears to take over governance of Rasu Miar, which would remain a territory of Kadavis. Kadavis views this as all upside for itself, and all work for Yealmark.
Brundir: An aggressive, militaristic nation with too few gods, but also pretty good at keeping peace in the Isles. The Miarans also view Brundir as the provider of the juiciest, but most dangerous, targets for piracy.
Want: An assassin bearing a Brundiri tattoo was recently caught in the Kadavan capital, but before she could be captured the woman dropped dead and a ghost flew out of her corpse and then vanished. For Kadavis, this was like capturing a stealth bomber: Brundir can do what?! Who was the target? Are there more of them? How can we spot them sooner? How do we capture one alive?
Meskmur: A hated foe for Rasu Miar; largely ignored by mainland Kadavis. For Miarans, Meskmur is what turned their inhospitable home into one that’s almost uninhabitable. No power in the Isles hates another as much as Rasu Miar hates Meskmur — and that goes double for Kidav Taur.
Want: Kadavis, both mainland and Rasu Miar, wants to stop Meskmur from directing the smoke plume from Deathsmoke Isle towards Rasu Miar. The mainland doesn’t care nearly as much (it’s only Rasu Miar…), but many Miarans would happily raze Meskmur to the ground if it was within their power.
Ahlsheyan: A trading partner, generally neutral. Kadavis buys ships and ship parts (Ahl masts are in especially high demand) from Ahlsheyan, and exports fine marble and one of its most notable delicacies, tightly sealed jars of a spicy jelly that smells like rotten fish. Rasu Miar raids Ahl ports specifically to steal those same ship parts.
Want: Kidav Taur wants Ahlsheyan to be the first nation to officially recognize it as a country in its own right. Representatives of the rebel government have been quietly meeting with higher-ups in Ahlsheyan, angling for an official diplomatic meeting on Meskmur.
Arkestran Dominion: A fascinating but dangerous nation. Meskmur actively seeks to stay off the Dominion’s radar…while trying to learn its secrets.
Want: To extract the secrets of the Dominion’s expertise in navigating and using the Wraithsea. Meskmur’s wizards are already powerful; this would make them much, much more dangerous.
Yealmark: An undisciplined but powerful upstart nation. They’ve never shown any enmity towards Meskmur, but presumably they would for the right price.
Want: To establish a combination temple to the Red Twins and embassy in Yealmark’s capital, letting them keep an eye on things while encouraging the Yeal to seek diplomatic solutions over mercenary ones.
Brundir: A nest of wealthy vipers. If provoked, Brundir could squash Meskmur like a bug, or simply blockade the island and starve the kingdom to death. But Brundir backs Meskmur’s role as a neutral power, both politically and financially, making it a valuable ally of sorts.
Want: To build a temple to the Red Twins in Brundir’s capital city, the first step in spreading the state religion of Meskmur to Brundir. The sorcerer-priests know that more worshippers will strengthen the Red Twins, and since Meskmur “controls” them that will in turn strengthen Meskmur.
Kadavis: A valuable ally. Kadavis makes frequent use of Meskmur’s services as a neutral meeting ground, both for Isles politics and for meetings with dignitaries and negotiators from places outside the region. Further, Kadavis is a valued trading partner.
Want: Meskmur wants to take over Rasu Miar. Old enmities may have been the reason why Meskmur began slowly killing the island with volcanic smoke and ash, but that evolved into a slow-motion power play. If they succeed, then the plume from Deathsmoke Isle will blow in a new direction…
Ahlsheyan: An ally and useful foil in keeping Brundir busy. Ahlsheyan’s triumvirate values Meskmur as a neutral meeting ground; Meskmur subtly encourages Ahlsheyan to heat up its conflict with Brundir.
Want: To use magic to plant false evidence of a Brundiri plot to assassinate the Ahl triumvirate, keeping their current cold war at just the right temperature.
Arkestran Dominion: A long-term threat. Not because it’s an elven nation (the trite cliché of elf-dwarf animosity doesn’t exist in Godsbarrow), but because the Dominion is manifestly expansionist and ruthless in pursuing its goals.
Want: To incite the Dominion to attack Brundir again, starting with the divided island occupied by both nations. That would give the Ahl a chance to attack from the south, facing less of Brundir’s military might.
Yealmark: As Ahlsheyan is currently “under the waves” (focused on opportunity), Yealmark is seen as a potential ally — and not blamed for turning the tide in the battle for Slljrrn Isle; that blame is laid squarely on Brundir. But what can Ahlsheyan offer Yealmark that could convince the Nuav Free Spears to turn on Brundir?
Want: To poison the alliance between Yealmark and Brundir, enabling Ahlsheyan to move against Brundir without having to worry about the Free Spears joining the conflict.
Brundir: A hated foe, but a complicated one. Ahlsheyan doesn’t want to dominate the Isles through conquest, but they do want ownership of all of the islands south of Brundir. Although Ahlsheyan has better ships, Brundir has a larger navy and the allegiance of the Nuav Free Spears. So the current state of relations is largely a cold war.
Want: Ahlsheyan disputes Brundir’s claim to every island located between the two nations, and they want them back. All of them were part of Ahlsheyan in the distant past and feature heavily in Ahl legends, and all are home to ruins significant to the Ahl faith.
Kadavis: An ally bound by blood and history. Long before their current borders were established, Ahl and Kadavans intermingled, settled, and established roots in each others’ territories. There are countless Kadavan dwarves with Ahl ancestors living in Kadavis, and significant settlements of people of Kadavan ancestry exist throughout Ahlsheyan.
Want: Pirates from Rasu Miar plague the strait the separates the island from mainland Kadavis, making it a much less attractive shipping lane than Ahlsheyan would like. Ahlsheyan has quietly undertaken a secret pirate-hunting campaign, but the government wants Kadavis to grant formal letters of marque so they can wipe the pirates out with impunity.
Meskmur: A valuable partner in maintaining peaceful trade in the Isles. Whenever a dispute with another nation arises, Ahlsheyan almost always defaults to proposing a meeting on Meskmur to resolve things peacefully. (It’s least likely to do so when Brundir is the nation in question, but even that depends on which member of Ahlsheyan’s ruling trio is dominant.)
Want: Legends tell of a site sacred to the three principal Ahl deities hidden in the woods at the center of Meskmur. Ahlsheyan wants permission to search for it, and if denied they may attempt the search in secret.
With this step heaved across the finish line, I’m faced with a choice:
Tackle the final step in WWN’s “The Region” section, which is adding faction stats to the nations/groups in the Isles. I like this step because it will produce interesting information, but it’s also most relevant only if I use WWN’s domain-level mechanics in play at some point — and I don’t know if I will.
Skip that step and move to developing a starting area within one nation in the Isles. This is awesome because it means the Unlucky Isles would be 100% ready for play (and then some!) at a moment’s notice. Plus I’d get to play with WWN’s excellent local-level tools.
Skip both of those steps, move one map “segment” to the north, east, or south, and start “The Region” over with a new area of Godsbarrow. From a worldbuilding standpoint, this probably makes the most sense — and I’m excited to know more about the larger nations circling the Isles, and to see how running through these steps again with a new place feels.
I guess I’ll make that call tomorrow, when I need to do a bit of worldbuilding (my daily streak is still unbroken!) and have to put fingers to keyboard.
I finished my Trukk! I built Da Fancy Wunback in February, and worked on lots of other stuff at the same time (painted 11 Boyz, built two Kans and a Dread, converted my Warboss)…but it still feels like I’ve been working on this Trukk forever. Back of the napkin, I’d say it took me somewhere between 35 and 45 hours from sprue to varnished and ready for the table.
This is the final post in a five-post series documenting this Trukk. Assembly is in part one and part two, the color guide is in part three, and a few WIP shots are in part four.
Many thanks again to Hobbyistgirl for her conversion (build process and painted Trukk), which was my inspiration to try this and my guide for large portions of the assembly process. Her Trukk is awesome!
Regular readers might notice that there’s no shot of Da Fancy Wun in casual light. That’s because I got a new lightbox (full rundown later in the post), and can now take photos good enough that they abrogate the need for a casual shot.
The Emperor’s eye grows larger
After a year-plus of steady painting, and some struggles with my first lightbox — notably taking photos without the lower half of each mini in shadow, and straining to squeeze full 10-model squads into it — I decided it was time to upgrade. I went from 12″x12″x12″ to 16″x16″x16″, which doesn’t sound like a big jump but is actually so large that I’m very glad it folds up nicely, and from one fixed ring of lights in the top to two repositionable light bars.
This FOSITAN lightbox (paid link) cost about $60 (three times what my smaller DUCLUS box cost), and it’s totally worth it.
Every interior surface is shiny silver, but dimpled so that it provides reflectivity without hotspots. You can shoot from the front or top, and the two light bars can clip onto the edges in either shooting configuration. Those bars also tilt, and if you want to diffuse the light when shooting from above there’s a translucent white square (with a hole in the middle) you can add between the bars and the object you’re photographing.
Unlike the DUCLUS, it doesn’t offer multiple color temperatures — but it does offer a lovely neutral white, and that was the only temperature I used on the old box anyway. The bars are dimmable and it includes several rather nice plastic backdrops; after a few test shots, I’m currently using the lowest setting and the grey backdrop.
I couldn’t resist reshooting Thragg’s Deff Lads, who I felt got especially short shrift in their lightbox session, along with a mixed-unit group.
The only problem is that now I want to reshoot every lightbox photo I’ve taken, and that doesn’t sound like fun just now. So I probably won’t! But I’m going to enjoy better lightbox pics going forwards.
Da Fancy Wun brings me to a pretty respectable 476 points (9th Edition rules), with 35 models painted (32 infantry, 3 vehicles). Next up is probably two more Killa Kans.
Yeah, it works fine afterwards — but doing it first allows me to exert as much force as I like on the piece, while holding it wherever I like, without worrying about breaking an assembled miniature.
Magnetize before assembly, too
Soooo much easier this way! It involves drilling, so the above applies here as well. But working with a single loose piece also means less stuff I might accidentally glue together — and I can clean up the inside of the holes before putting the model together. My first Deff Dread, Facepeela, still has a couple shavings rattling around inside his body.
The whole point of magnetizing my two Deff Dreads (two…so far!) is to enable weapon-swapping one each model, but by matching polarities on both models I can also freely mix and match between them. While building Ripfist, I carefully checked (and re-checked, and re-re-checked, and re-re-re-checked) each magnet against Facepeela and the component of Ripfist that I was magnetizing.
I also paid attention to what went where. So Facepeela has his KMB on the right and Ripfist has his on the left. If I want one of them to have two KMBs, they’re both ready to accept that swap.
Trim, clean up, glue
With larger models, I’m in the habit of clipping pieces off the sprue, tidying them up, gluing them, and then starting on the next section while the first section dries. But with the two Killa Kans I just built, I tried clipping 100% of the parts, then sanding/filing 100% of the parts, then gluing the model all at once — and dang, but that’s both easier and more fun!
Moonkrumpa: never actually finished
It’s becoming a bit of a running personal joke that I’m constantly tinkering with Moonkrumpa. This time around the impetus was building the other Warboss in my army, “Bigtoof” Skragga (to get a Morkanaut into my list, I needed two detachments), and this incredible, dynamic sculpt screams Warboss in a way that Moonkrumpa doesn’t.
Even with Moonkrumpa 3.0’s height, banner poles, looted wargear, bulk, and customized base, it isn’t immediately clear at a glance which of the two is my Warlord. Based on an idea I saw on Reddit, I starting tinkering with him again.
Having done more kitbashing — and a full-fledged conversion — since I first built Moonkrumpa, I’m a bit more confident about it now. My bits box has more stuff in it, too.
This kitbash does mark the first time I’ve significantly altered the silhouette of the original model, and you could certainly argue that I’ve strayed from WYSIWYG wargear by adding a second claw — and I’m not sure how I feel about that! The original Big Mek in Mega Armour mini is bulky, but doesn’t have a huge “wingspan,” whereas — by design — my version sprawls to the top, front, and sides.
It’s not “suddenly, he’s Ghazghkull,” though, and it feels consistent with a rule of thumb I saw on Reddit: Your Warboss should be the largest infantry model in your army. To boot, I can always take the stratagem Da Biggest Boss for 1 CP (making him literally a bigger boss), or give him Super Cybork Body to represent the Killa Kan arm in game terms.
More importantly, it’s a fun kitbash, it brings me joy, and it’s exactly what the Mek leader of a Mek-driven Waaagh! should have going on.
Now there’s no mistaking who’s in charge here:
As I was wrapping up this revision and re-kitbash, I looked at the time and realized that I’d been at it for five hours! But I couldn’t have done it all up front, when I first built Moonkrumpa, because I didn’t know as much about Orks, my army, or kitbashing when I started this army. Even though it’s meant more work modifying him after the fact, it’s been a fun process.
My bonsai tree, Hulking, dropped a few leaves during his first couple of days with me — which Alysia said was probably just because he was adjusting to the new environment. She was right. After a little adjustment period, not only is Hulkling not dead, he seems to be thriving.
I’ve had to prune new shoots several times, and more are always popping up. I’ve got a little routine for where to place him during the day for the right amount of sunshine, including rotating which side faces the window, and he seems quite content.
I finished Da Fancy Wun last night, so while the varnish is curing I figured I’d post the WIP photos I took along the way.
This is the final post in a five-post series documenting this Trukk. Assembly is in part one and part two, the color guide is in part three, and the finished product is in part five.
There are three great milestones in any miniature-painter’s life: drinking your brush-rinsing water (I haven’t done this, but I’ve come closer than I’d like), shaking an open pot of paint (check!), and spilling an entire bottle of Citadel shade paint.
Overall I’m pretty happy with how Da Fancy Wun turned out. There are things I’d do differently on my next Trukk, but that’s always the case. I’m looking forward to getting it into my new, larger lightbox to see what it looks like up close.