Categories
Tabletop RPGs

Last Gasp’s Cörpathium city generator

Last Gasp is a beautiful site by Logan Knight, compelling and raw and brimming over with enthusiasm and gorgeous (often NSFW) artwork. The tagline is “Art, Smut, and Role-Playing,” so you know exactly what you’re getting.

I love random generators, and Last Gasp offers a stunning one: In Cörpathium. It combines a die-drop map (another thing I love!) with conditionals; the conditionals are a great piece of game tech I don’t recall ever seeing before, and they really merit an example. But first, the core concept behind Cörpathium (so the conditionals make sense):

M. John Harrison’s Viriconium was one of the big inspirations that brought Cörpathium into existence, and one of the things that I loved most about those stories was that the city was never the same; places move, facts shift, but it remains Viriconium.

So, conditionals. Here’s the first line under Government:

If there is no Temple District, but the Blood-Red Palace of the Godless exists, Cörpathium is ruled by the Godless and the Childlike Oracle, the Lamb, Eater of Eternity.

You take the first conditional that applies, so if that one doesn’t apply you move on to the next one:

If there is no Temple District, or the Blood-Red Palace of the Godless, but The Old Folk exist, Cörpathium is ruled by that which crawled up from the Emerald Pit so long ago, and the Old Folk live.

And so on from there, and for other categories, until you have your Cörpathium of the moment. It’s brilliant.

It also looks eminently hackable, even for cities without Cörpathium’s peculiar nature. I’d love to see it in book form, too.

Categories
D&D Tabletop RPGs

Rythlondar and gaming group size in the early days of D&D

I was poking around on the Basic Fantasy forums when I came across a post by merias about how folks played OD&D, with a link to the Rythlondar Chronicles (originally uncovered and shared on Risus Monkey).

I’m always interested in hearing about how gamers were playing RPGs before I got my start (in 1987), and one topic that’s always fascinated me is player count. From what I’ve read, it was common for D&D sessions in the 1970s to have what would generally be considered a large number of players these days.

That’s neatly illustrated by the Rythlondar Chronicle, which documents the house rules, players, guidelines, and expeditions undertaken as part of a D&D campaign in Michigan in 1976. It started out with two GMs, John Van De Graaf and Len Scensny, who shared their campaign notes — the Chronicle — with Risus Monkey.

What merias pointed out is on page 9, EXPEDITION RECORDS.

That page (which is much easier to read in the PDF!) lists 12 expeditions, along with the player count and the PC death toll for each session. (I’ve included the fatality percentage in parentheses.)

  1. 12 players, 5 PC deaths (42%)
  2. 12 players, 3 PC deaths (25%)
  3. 10 players, 2 PC deaths (20%)
  4. 14 players, 6 PC deaths (43%)
  5. 7 players, 2 PC deaths (29%)
  6. 7 players, 0 PC deaths (0%)
  7. 12 players, 1 PC deaths (8%)
  8. 7 players, 1 PC deaths (14%)
  9. 15 players, 3 PC deaths (20%)
  10. 14 players, 5 PC deaths (36%)
  11. 8 players, 3 PC deaths (38%)
  12. 14 players, 0 PC deaths (0%)

Just look at those numbers: In Rythlondar, seven players was a slow night. The average player count was 11. (Those death counts are something, too — an average of 2.58 dead PCs per session, or 23%. On any given night, there was only about a 17% chance that no PCs would croak.)

I recognize that play style and game system make a big difference in the feasibility of gaming with a big group. OD&D seems like an excellent fit for this; I can see why it would work with a lot of players. Practices like having a caller make a lot of sense in a large-group context, too.

I start getting twitchy at five players, and six feels unwieldy to me. I can’t imagine running a game for 11 players, let alone 15. But you know what? I’d like to give it a shot.

Categories
B/X D&D D&D Labyrinth Lord Old school Tabletop RPGs

B/X D&D vs. Labyrinth Lord dungeon stocking

Wayne Rossi wrote an excellent post, Clones and Rules, Inside and Out, about the apparently subtle differences between some retroclones and their sources which, in fact, produce non-subtle differences in play. Here’s an excerpt, from his comparison of OD&D dungeon stocking to Swords & Wizardry dungeon stocking:

An OD&D dungeon designed according to its guidelines is going to have “unguarded” treasure. According to the book it should be hidden and/or trapped. But a S&W dungeon isn’t going to have that, if the referee follows the guidelines in the S&W rule books. Over time the game is going to play differently, since the OD&D group is going to be looking for hidden treasure while the S&W group would be justified in looking for combat.

Wayne is one sharp dude, and he has a knack for noticing stuff, prying it apart, and being able to succinctly share what makes it tick. (His OD&D Setting PDF, which I blogged about here on Yore, is a marvelous example of this — and a great read.)

His comparison of S&W to OD&D got me thinking about my favorite flavor of D&D, Moldvay/Cook (B/X), and its closest OSR analog, Labyrinth Lord. I wondered whether or not they differed in the area of dungeon stocking, and I realized I wasn’t sure — I’d just assumed they were pretty much identical.

But what if they weren’t? What if B/X and LL diverged in the same way as OD&D and S&W, or in a different subtle-but-significant way? Let’s take a peek.

Dungeon stocking

Both B/X and LL sum up dungeon stocking in one chart (plus a bit of explanatory text nearby), making them easy to compare. Here’s page X53’s chart from the Expert Set above page 124’s chart from LL.

They both use the same four categories: monster, trap, special (which LL calls “unique”), and empty. They also both employ two die rolls: d6 followed by d6 in B/X, and d% followed by d% in LL. LL’s chart is a bit cleaner, both because it uses percentages (which I find more intuitive to assess than fractions) and because of its layout.

Room contents

Broadly speaking, the percentages for room contents are about the same — except in one case:

  • Monster: 33.33% chance in B/X, 30% chance in LL
  • Trap: 16.67% in B/X, 15% in LL
  • Special/Unique: 16.67% in B/X, 25% in LL
  • Empty: 33.33% in B/X, 30% in LL

The chance of a room being empty or having a monster in it are close enough to identical to call them the same — about 30%. Ditto the chance of a trap, about 15%.

What’s different is the chance of a special/unique room, 1 in 6 for B/X vs. 1 in 4 for LL. That’s not a huge difference, but it’s a difference.

What about the chance of treasure?

Treasure

Here are the percentages for the chance of treasure being present in each system:

  • Monster: 50% chance in B/X, 50% chance in LL
  • Trap: 33.33% in B/X, 30% in LL
  • Special/Unique: Undefined in B/X, “Variable” in LL — essentially the same thing
  • Empty: 16.67% in B/X, 15% in LL

For all practical purposes, those percentages are identical.

Conclusions

B/X D&D and Labyrinth Lord are essentially the same game with respect to dungeon stocking, the chance for a given room to be empty or otherwise, and the chance for there to be treasure in the room.

The only meaningful difference is that you’re somewhat more likely to encounter a special/unique room in LL than you are in B/X (and, consequently, slightly less likely to have the other possible contents come up).

To me, this is evidence of a shared design goal: Give the players a meaningful choice when it comes to seeking out treasure. Which makes sense, because both systems share the same XP methodology: 1 XP for 1 GP, plus XP for monsters, with the bulk of your XP coming from gold.

Dungeon rooms with monsters in them are more likely to have treasure than any other types of room, but you have to deal with the monster (which is itself worth XP). Empty rooms have the lowest chance of yielding treasure, which makes searching them — and expending resources in the form of time, torches, and wandering monster checks — risky in and of itself, but if you’re lucky you find unguarded treasure.

LL incentivizes the same style of play as B/X, which is a testament to its clarity of purpose as a B/X retroclone.

I also like that the one real difference, special rooms, would give an LL-designed dungeon its own flavor when compared to a B/X-designed dungeon. The party would run into a couple more special rooms, and special rooms are neat. There’s a philosophical difference there, albeit a subtle one.

Categories
Dice Tabletop RPGs

Inking dice with a paint marker

Tonight’s dice inking project: a ruby Gamescience set I found in my dice box, and a big, beautiful Armory d30 Guy Fullerton​ gave me. I used an extra-fine point Sharpie white paint marker (paid link) on these.

Ultra-fine point is a great size because it fits the grooves on most dice perfectly, and it’s my inking weapon of choice. But as far as I know, Sharpie doesn’t make an ultra-fine point marker in white, and extra-fine point is as precise as it gets in the world of white paint markers.

The paint is more forgiving of slip-ups that permanent marker by virtue of being easier to wipe off, but it tends to ink around the grooves as well as inside them. I’m willing to bet a few weeks of being used, and bouncing around with other dice, will take care of that.

Categories
Tabletop RPGs

Where to buy old gaming books and RPG products online

I buy most of my gaming books online, but there’s not much of an art to finding new, in-print stuff. Old, out-of-print books, on the other hand, are fun to hunt down. There are added complications, like condition, rarity, and perceived value, that make things interesting.

I collect gaming books, but I don’t collect for value and I don’t keep my books pristine — I buy them to use. I look for tight bindings and non-crushed boxes, but apart from that I don’t get too fussy about condition — if it’s going to bump around in my backpack, who cares if I need to tape the corners, or if it’s got stuff written in the margins?

I also don’t view collecting old RPG books as a competition, and I hope this post helps you find something awesome! Here’s a rundown on my favorite online haunts for old gaming books, including six options and tips about each of them.

Noble Knight and Wayne’s Books

These are my two go-to stores for OOP gaming stuff. Both Noble Knight Games and Wayne’s Books grade products accurately, ship promptly, pack orders extremely well, and offer great customer service. Shipping rates are reasonable, too.

The condition thing is big, too. I pass up lots of stuff elsewhere that might be perfectly good because the seller doesn’t do a good job telling me about it, and Wayne and NKG absolutely nail condition ratings.

With respect to value, both stores know when they’ve got something that’s worth some money — you’re not going to find a rare book on the cheap. For my personal level of price sensitivity, Noble Knight’s prices for rarer books often feel too high.

Both stores typically offer what I consider good prices on non-rare stuff, and since that’s usually what I’m after that works out nicely. They also both get new stuff in all the time, and I usually make a point of browsing around every month or two. (I hide my wallet when I do this, but it doesn’t seem to help!)

I’ve been happy with 100% of my orders from both stores, and I highly recommend them both.

Ebay and Amazon

In my experience, Ebay and Amazon (paid link) both tend towards either very high or very low prices for old gaming books. Amazon has the further complication of automated price-adjustment bots used by some third-party sellers, which jack up prices based on other sellers’ prices and result in what should be a $10 book getting listed for a thousand bucks.

Both are good options, but I don’t trust either of them as a snapshot of what to think a book should be worth. Searching closed auctions on Ebay is a great way to see what the market is willing to pay, though.

I tend to like Ebay best when I’m willing to wait patiently for a good price. I set up a search to notify me when new matches are listed, and I lurk. I generally ignore auctions, and stick to Buy It Now listings.

With Amazon, OOP stuff is always going to be from a third-party seller. I flat-out won’t buy a book that doesn’t have at least a few specific condition notes in its listing; big charity bookstores are the worst offenders here, using the same description across all their items.

Wayne’s Books also lists on Amazon, and I can usually tell when a listing is his: The write-up is detailed and accurate, and the price is fair. Noble Knight has most of their stock cross-listed on Ebay, too, but I usually just go direct.

Lastly, feedback is king. I only buy from folks with good feedback, and I’ve had very few problems over many, many years of shopping on Ebay and Amazon.

Gator Games and The Hit Pointe

When I can’t find a book at the four sites above, I try Gator Games and The Hit Pointe.

Gator just lists most stuff as “used,” but they’ll happily answer questions and give you a more specific condition rating if you ask. The stuff I’ve bought from them in “used” condition has been just fine, so I don’t ask anymore.

The Hit Pointe has a quirky and clunky website, but they occasionally have stuff I can’t find anywhere else. I always email them to see if something is actually in stock before I order.

Neither store is a go-to, but I’ve been happy with my experiences with both of them.

When in doubt, Google

If I don’t have a good idea what an old book is worth, I Google it. If I want to see if there are stores tucked away in the dark corners of the web who might have something these six sites don’t, I Google it. When I want to know why something is special, I Google it — and more often than not, I wind up reading an old GROGNARDIA post, so I should save some time and remember to just start there!

The Acaeum and Wayne’s Books RPG Reference are both great resources for figuring out if something is supposed to have maps or counters, which printing you want, etc. Googling a book usually pops them up pretty quickly, too.

And that’s it! Six sites and a bit of enjoyable research usually gets the job done for me.

That said, I guarantee I’m missing or overlooking other great options. If you have a favorite haunt or two, or tips to share, I’d love to hear about them in the comments!

Categories
Old school Zines

Matt Jackson’s guide to making zines

This step-by-step guide to printing, folding, and trimming zines by Matt Jackson is full of hard-won tips from the trenches. Things like adding “stops” to your long stapler with rubber bands to save time, and using a bone folder to fold the pages; I’d never heard of a bone folder before reading Matt’s post.

The Bone Folder. It sounds stupid but you MUST have one of these. Initially I refused to pay a couple of bucks for a simple piece of plastic, but boy was that stupid. I tried a few other things that appeared to be similar that I found around the house but there is some sort of voodoo magic used in the making of these things.

Tips like this one seem like things that could save wasted time, ink, and paper:

When folding especially thick paper or a thick book I break up the pages into small batches. As many pieces of paper fold, they don’t always line up correctly and you end up with terrible edges. Folding them in smaller groups makes the lines much better.

He even uses a corner rounder, which I don’t think I’ve seen on a zine before. I’ve seen rounded corners on little non-zine booklets, but I assumed that was a print shop sort of thing.

It’s hard for me to write about zines without wanting to try my hand at them, and Matt’s post makes it all sound pretty doable. I like zines, I like making stuff, I like quirky gaming supplements — zines live right at the intersection of All That Ave. and But You Don’t Need Another Project St. But it’s tempting! And Matt’s guide looks like an excellent starting point.

Categories
Old school

You too can ooh-ess-arr

After seeing the killer glam/KISS OSR logo that Stuart Robertson designed, I thought it’d be fun to make a variant with an umlaut (because metal, and because changing the pronunciation is funny), in purple (because I love purple).

Stuart shared the link for the font, Die Nasty (which is free for most uses, but do check the license), so I knocked this together.

If you’d like to use this logo, just conform to the terms of the Die Nasty font license and you’re all set. (If you want to attribute the logo to me, with a link here, that’d be awesome — but it’s not required.)

It resizes pretty cleanly, but if you’d prefer to recreate it and fiddle with stuff, just install the font and you’re off and running. (I adjusted the kerning in Word, and then a bit more in MS Paint, in order to get the “S” centered.)

Categories
Old school Tabletop RPGs Zines

Zine roundup: Wormskin #1

Is it a “roundup” if there’s only one issue? I don’t know, but I want to blog about Wormskin anyway! I’m still feeling out my approach to zine posts; this one turned into more of a full-blown review.

Wormskin is a brand-new OSR zine by Greg Gorgonmilk and Gavin Norman, available on DriveThruRPG in both print and PDF.

The blurb on the back cover gives you a good idea of what Wormskin is all about:

WORMSKIN explores the mythic forest called Dolmenwood, a setting for use with BX campaigns or similar tabletop systems. Each issue will look at various elements of this eldritch realm situated on the leafy verges of Faerie, where austere Drunes rub elbows with weird elf-lords and talking beasts, where witches wander skyclad and armed with sinister magicks to bind the spirits of hapless adventurers. Be wary.

The first issue of Wormskin both teases and delivers. It teases because I’m left wanting to know much more about Dolmenwood and its inhabitants. There’s also a great little hex map absolutely covered in teasers: Manse of Lord Malbleat, Fort Vulgar, Prigwort — I want to know more!

I’ve never done much with Faerie, or related realms, in my D&D games, and Dolmenwood begs to be dropped into a game as a tone-changing surprise. I’m excited for future issues.

But it also delivers, because what’s on offer is excellent:

  • The moss dwarf species/class is just superb. It’s weird and funny and spooky and a little bit nuts, and it makes a great emissary for Dolmenwood. They’re plant-like, with associated traits: patches of lichen growing on their bodies, chest hair made of parsley, that sort of thing. They also get randomly determined knacks, my favorite of which is “nose wise” — at 7th level, the dwarf can smell subterfuge.
  • Mushrooms! I’ve always loved fungi in D&D, and the d30 fungus table is awash in splendid examples. Like cuckoo puke, which looks like a blob of slime, drab grey in color; smells sour; tastes like fish; and is psychoactive, anthropomorphising everything around you while its effects linger. The rest of the table is just as good.
  • Grimalkins are another species/class, cat-folk who are one part Cheshire Cat and one part folklore. They don’t grab me quite as much as moss dwarfs, but based on what this issue reveals about Dolmenwood they feel right at home there.
  • Closing out this issue is a monster, the root thing. Root things are “humanoid root vegetables which emerge from the soil in autumn to hunt hapless humans and demi-humans. Eyeless and mouthless, root things [hunt] by scent alone and drag their victims beneath the earth to be digested over the winter months, entwined in roots.” If the movie Labyrinth dropped acid, the root thing would be in it.

The moss dwarf article also includes my favorite illustration in issue #1, this piece by Andrew Walter:

There’s a unity of vision and purpose to Wormskin — it’s clear that Greg and Gavin know what’s coming, and are as jazzed about sharing it as I am about reading it. While the look is polished, the overall feel of the issue is rawlished: The creative vision behind Dolmenwood is uniquely quirky, and it feels like something the authors would have written even if no one else was going to read it.

If that sounds like your tub of monkskull[1] jam, pick up a copy of Wormskin #1.

[1] Another mushroom from the fungus article!

Categories
B/X D&D D&D Dice Tabletop RPGs

How to reduce the value of a Moldvay Basic set by 50% in 7 easy steps

Step 1

Remove box from shelf.

Step 2

Open box.

Step 3

Remove sealed bag of dice from box.

Step 4

Cut open dice bag.

Step 5

Remove dice.

Step 6

Clean dice with soap and water to remove crayon residue.

Step 7

Ink dice with Sharpie.

Bonus step (optional)

Realize your white paint marker hasn’t come in the mail, and save the dark red d12 to ink later because you know black isn’t going to show up well.

Categories
DCC RPG Old school Tabletop RPGs Zines

Zine roundup: Crawl!, issues 1-11

Crawl! (also available on DriveThruRPG) is a DCC RPG fanzine designed and published by Dak Ultimak, with a rotating cast of writers (which often includes Dak). I recently snagged the full run, and this zine is really, really well conceived and executed. It’s rawlished — both raw and polished at the same time, which is a balance I enjoy in zines. And it’s hard to pull off!

Crawl! also pairs well with Metal Gods of Ur-Hadad, the subject of my first zine roundup.

The Crawl! blog lists the contents of every issue, so I’m not going to do that. Instead, here’s my favorite thing from each issue (it was often hard to choose just one!):

  • Issue 1: The last article in this issue is a gem: spell conversion rules for non-DCC spells, in just two digest-size pages. Want to port a D&D spell into DCC, or play a D&D character in a DCC campaign? Boom. Spells are covered. (Special mention: the spell “Snafufubar,” new in this issue.)
  • Issue 2: “Be Prepared,” which covers new equipment, is a gem. DCC pricing, and flavor, for everything from lodging to bow drills to lutes to glass eyes (for those inevitable funnel-related manglings) — all in two pages. I’d love to see this folded together with the core book’s equipment list.
  • Issue 3: “Magic Wand,” a multi-page spell that enables the caster to create a kickass wand, is a strong choice, but it’s edged out by “Let’s Get Familiar,” which expands the options for familiars to include floating tesseracts, stained-glass butterflies, and crawling hands.
  • Issue 4: The entirety of issue #4 is an adventure, the highlight of which is its monsters. They include venomous deathwolves, door frame mimics, and living flesh mounds. The latter are particularly gruesome: They have a chance to absorb victims’ limbs on a successful attack.
  • Issue 5: I dropped “Quickie Wandering Monster Tables” straight into my DCC campaign, resisting my inclination to build my own charts by terrain type in favor of doing nothing and using Jeff Rients’ excellent work instead.
  • Issue 6: I’m not big on new classes, and this is the new class issue…but the gnome is great. Gnomes are illusionists, and they get a Trick Die added to their spellcasting that makes it less likely their spells will fail. They can also cast sturdy illusions, which become tangible, and scripted — triggered or time-based — illusions. Neat!
  • Issue 7: Kirin Robinson’s article “Lost in Endless Corridors” takes a hard, sharp look at including mazes in games, why they often suck, and how to make them not suck.
  • Issue 8: This one’s all about guns, and while the gun rules themselves are slick and very DCC, “Invasion!” is awesome. It’s a toolkit for introducing firearms into your game by way of alien invaders. The invaders might be rum-soaked Napoleonic soldiers who came through a wormhole and crave your blood, or they might be demons from across the sea, staves barking fire, who hunt you like game. This is one of my favorite articles out of the entire Crawl! run to date.
  • Issue 9: Like issue #4, this one’s all adventure — the 0-level funnel “The Arwich Grinder.” It starts with weird redneck hillfolk and winds up in madness and giant, invisible babies and cannibalism. It’s fantastic.
  • Issue 10: #11 is classes again, but these grab me more — they’re alternate species-based classes. The dwarven priest is my favorite, managing to feel both very D&D and very DCC, with Mighty Deeds, divine aid, and the ability to smell treasure.
  • Issue 11: “Fantastic Forms of Sea Ship Propulsion and Their Congenital Complications” is a great article, offering up ships powered by moonlight, pulled by giant eels, or with wind-wraiths filling their web-like sails.

I also dig Crawl!’s covers, particularly these three.

(Scott Ackerman)

(Mitchell Hudson)

(Mario T.)

I’d heard nothing but good things about Crawl!, and it doesn’t disappoint. My “blind buy” of the full run (about $3-$5 per issue) was well worth it. Highly recommended!