Word for word, Ken Hite sticks more gameable, immediately usable, inspirational shit in everything he writes than most folks in the industry, and this book may be the best example of that that I’ve ever read.
I have the Savage Worlds edition (paid link), but DAR also comes in Fate Core flavor (paid link) and a HERO 6th Edition version (paid link), and I assume it’s basically the same setting book with different mechanics.
DAR’s concept is so gonzo and batshit that it immediately commands attention. In just the first couple of pages, Ken gives us a setting like no other. The time is 1944, and the Nazis have succeeded in bringing about Ragnarök:
And then it happened; the whole world heard the howl of Garm, and the moon was eclipsed in blood. The head of Jörmungandr, the Midgard Serpent, 350 miles across, breached the surface of the Arabian Sea and rose up into the troposphere.
The Americans, naturally, figure out a way to nuke Jörmungandr in the eye.
(No individual artist credits in the book, unfortunately.)
Which turns out to be a great idea, but also a really terrible idea:
Dark crimson rain fell from Dublin to Denver. Where it struck, the seas boiled and the earth drank poison. And things engendered, mutated horrors born of dragon’s blood and broken strontium atoms. […] But it hardly mattered, no at first, because the fall of the Serpent’s body back into the Atlantic sent up a wall of water a hundred miles high that smashed into the coast from Halifax to Havana.
The Serpent is really fucking big:
The head finally crashed to earth in Egypt–or rather, on Egypt. Its body followed it down, thunderously settling across Europe in a 300-mile wide swath from Scotland to Sicily, and setting off earthquakes 100 miles across on both sides of its fallen body.
All the fallout from the Serpent’s death doesn’t trigger a complete, worldwide apocalypse, though. It wipes out some entire countries, and scars all the rest, but large chunks of humanity survive — and all of this happens smack in the middle of World War II.
It’s an entirely different kind of post-apocalyptic game.
And it fucking delivers
Not only does Ken set up a setting like no other in just a few pages: he then delivers on all of the promises those early pages made.
My group is 9 sessions into our Savage Worlds DAR campaign, and we’ve barely scratched the surface of what the setting has to offer. And unlike a lot of settings, exploring a new place doesn’t involve reading a massive tome — Ken covers the whole setting in 27 pages.
This setting is so rich, and so well-conveyed, that all we need to explore some new corner of it is a couple of paragraphs from DAR, access to Wikipedia, and a few minutes of collaborative spitballing. That’s a perfect balance of inspiration and freedom — something I love in a good setting book.
I won’t veer into spoilers about the setting (everything I’ve shared above is in the intro, and is common knowledge in the setting), so suffice to say that Day After Ragnarok (paid link) is one of my all-time favorite campaign settings. It’s a superb book in every way.