Like all of the advice in Worlds Without Number, the stuff about cities gets straight to the point: put the capital in the center of the best arable land, on water; put other cities on water, and near resources; if you stick one in the middle of nowhere, assume there’s a kingdom-level water source not visible on the region-level map. Given that this slice of Dormiir is all islands and water, I figured most cities would be coastal.
Because of the cool natural-looking coastlines I’ve generated in Worldographer, a lot of my cities look like they’re floating in the ocean. But on a zoomed-in, kingdom-level map, they’d be placed in a sub-hex that’s on land.
Next up is roads! Once I get my cities stitched together, I’ll have a better feel for how much wilderness is present in each kingdom (and where those wild places are).
I tried to tell some basic stories with my road placement. Brundir is prosperous, populous, and the regional powerhouse: lots of roads, and the capital city is a true hub. The western edge of the Arkestran Dominion, and Kadavis proper, are also pretty well linked-up. Meskmur has sorcery and political isolation in its favor, so they’ve got roads galore.
But Rasu Miar (the island just off the coast of Kadavis, in the east) is sparsely settled and a pretty crappy place to live, so they don’t have a robust road network. And Ahlsheyan is a bit of a mix, with some logical connections missing — because those dwarves love to sail, so some overland trade routes just never really developed.
And looking at the current state of the map, I have to say that I’m not especially worried about reducing the number of cities — because there are tons of areas that aren’t even within a hex of a city or road. Even Brundir, where fully a third of the islefolk live, has lots of areas within its borders that could be wild, lawless, and dangerous.
Looking ahead, I’m now in a good spot to finish answering the rest of the questions in WWN’s “The Region” section: historical events for all six nations, their relationships with one another, and — optionally, but I’ll probably do it — assigning every kingdom its faction statistics. For folks who might be reading this and thinking that the amount of work I’ve already done is at odds with the “get to play quickly, but with a meaningful foundation for your setting” approach WWN advocates…you’re right!
I could easily have skipped several enjoyable hours of figuring out population sizes, placing cities, adding roads, and twiddling the terrain to suit — and instead just finished the rest of the region questions, picked Brundir as my starting kingdom, and moved on to answering the kingdom questions. Hell, I could have skipped making an actual map and just sketched out some vaguely island- and kingdom-shaped outlines on a piece of paper (as WWN suggests in the early stages).
But my goal isn’t to get to play quickly, or even in the medium term — it’s to create My World, one that I’ll be excited to continue to develop for a long time to come.
I might use WWN to gin up Brundir in more detail and then start a fresh map one “block” to the north, covering the Arkestran Dominion — and leave the rest of the Unlucky Isles exactly as they are at the end of “The Region” process. Or I might fully develop each kingdom in the Isles, and the sub-hex around a likely campaign start point in Brundir, so this whole region is richly developed and ready for play. I’m going where the wind takes me, doing whatever moves me.
Worlds Without Number is providing structure, keeping me on track so that I don’t drift off into stuff that won’t ever matter in play. It’s the tool I’m using to ensure a solid foundation for the Isles, and for expanding my worldbuilding to encompass other regions of Dormiir. I want to create a useful, gameable setting full of useful, gameable information — and devoid of cruft, wordy prose, or other stuff that often clogs up published settings. So far, WWN is perfect for that.
This morning in the shower it hit me that in a region called “the Unlucky Isles,” with six kingdoms, only three of those kingdoms were fully contained within the Isles (the other three stretch off the map) — and one of those is “fantasy Switzerland.” Would that generate enough local conflict to fuel adventures?
But sitting down and looking at my map again, I saw that I could expand my plan to have disputed islands — originally, just one or two between Ahlsheyan and Brundir — to include a Brundir/Dominion disputed island in the north. And I figured that Rasu Miar, while it’s part of a nation that stretches off the map (Kadavis, to the east), is basically an island kingdom — so that’s four, not three. I’m feeling good about all of that.
So this evening I tucked into finishing the regional map, which needs cities in order to match the example in Worlds Without Number, plus a few more non-major-but-still-sizeable geographical features, like scattered woods and whatnot, for visual interest. After adding some terrain where I planned to put disputed claims, and some more because I liked how it looked, I turned on grid numbers:
WWN presents some great back-of-the-napkin math for determining population figures, and then using those to back into number/size of cities, so I started there. I counted hexes by hand, ignoring the partial/ragged coastline hexes, and jotted down the ballpark population for each kingdom (or portion thereof which appears on the map, for the three that aren’t fully contained within the Isles).
Arkestran Dominion, 287,000: 215 hexes not counting the Wastes = 430,000 = 43,000 in cities, but the portion on the map is lightly populated hinterlands, so that’s too high. Let’s say 287,000 = 29,000 in cities = no capital city here, so one major city of 10,000, plus 19,000 in other cities.
Yealmark, 84,000: 41 hexes x 2,000 = 84,000 = 8,400 in cities = 2,800 in capital city, and 5,600 split between two other cities.
Brundir, 840,000: about 420 hexes x 2,000 = 840,000 = 84,000 in cities = 28,000 in capital city, 14,000 in second-largest city, 42,000 in other cities.
Kadavis, 248,000 on Rasu Miar, 266,000 in Kadavis proper: 165 hexes in Rasu Miar = 330,000 = 33,000 in cities, but the population is a little lower in this inhospitable place, so let’s say 248,000 = 25,000 in cities = no capital here, so 8,300 in major city, 4,200 in next-largest city, and 12,500 in other cities.
…and 133 hexes of Kadavis proper on this map = 266,000 = 26,600 in cities = no capital city on this map, so 9,000 in major city, 4,400 in second-largest city, 13,200 in other cities.
Meskmur, 230,000: 115 hexes x 2,000 = 230,000 = 23,000 in cities = 7,600 in capital city, 3,900 in second-largest city, 11,500 in other cities.
Ahlsheyan, 550,000: 225 hexes on this map = 550,000 = 55,000 in cities = capital city isn’t on this map, so 18,000 in major city, 9,000 in second-largest city, 28,000 in other cities.
That would make the population of the Unlucky Isles 2.5 million people. That’s roughly equal to the population of medieval England in the early 12th century, which seems like the right ballpark. I’m starting to get a sense for the scope of this region, which is exciting.
I view 2.5 million as the upper bound. WWN notes that wilderness hexes don’t count, and until I have some cities in place and have drawn in some major roads, I won’t know even roughly how many wilderness hexes are in the Unlucky Isles. So I expect those stats (and maybe the number of cities) to go down a bit, at least in some of the kingdoms. (And I should note that WWN doesn’t have all this population stuff happening for the whole region at this stage — I’m electing to do it now because it’s fun, and because it keeps my map grounded so it can serve as a firm foundation for ongoing development.)
But for tonight I’m calling it here — after a surprisingly time-consuming amount of math and fiddling with cities — because it’s time to play Fortnite with the kiddo!
In yesterday’s post I sketched out some high-concept stuff about Godsbarrow, and having finished Worlds Without Number‘s “The World” steps I’m moving on to “The Region” — the slice of Dormiir called the Unlucky Isles.
As with the first Dormiir post, large portions of this one are pretty raw — more or less straight from the Notepad file I’ve been massaging and into WordPress. (I’ve learned that if I obsess over polish at this stage of worldbuilding, I get bogged down and never get much further. The raw fire of creativity is where it’s at!)
The Unlucky Isles
Name the region.
The Unlucky Isles, so named because the god Slljrrn (“SULL-jern”) died here, sinking into the sea and cursing this scattering of islands — and because the isles draw the ill-fated like moths to a flame.
An aside: names
Before I tuck into the next step, there’s some advice about names in WWN that I love and want to share here:
Conventional fantasy names tend to be random nonsense-syllables picked from the creator’s cultural phoneme stock, and places often end up as the city of AdjectiveNoun or the NounNoun river. While some of this can work perfectly well, it’s easier for the GM to pick some obscure or extinct real-world language known to nobody at the table and use it for names. Even if the words they use from it have no relation to what they’re naming, the consistent set of sounds and syllable patterns will help give a coherent feel to the work.
Worlds Without Number, p.119
That tracks with languages in Star Wars, which are (or were, anyway) often real-world languages not likely to be familiar to a primarily English-speaking audience; I’ve always thought that was a fun approach.
I decided to stick to dead languages. Palaeolexicon offers dictionaries of long-dead languages, and browsing through them was a lot of fun. In coming up with names, I used dead languages where it felt right, and made up my own bullshit everywhere else (because I do enjoy making up my own bullshit).
That shook out to dead languages for some names associated with three nations — Etruscan for Brundir, Proto-Turkic for Ahlsheyan, and Thracian for Yealmark — and made-up stuff for the other three.
Choose about six major geographical features.
Before this step, I started working on my map. I used Worldspinner to cycle through arrangements of continents until I found one that pleased me, and then switched to Worldographer Pro to build my hex map. (I’ve been using Hexographer, its predecessor, for almost a decade; both are excellent, and both offer robust free versions.) I can’t think too much about a fictional place without a map of it, so I’m jumping ahead a bit, WWN-wise.
Armed with my landform map, I jotted down my major geographical features, adding them to the map as I went:
Ulscarp Mountains, a range of jagged, snowcapped peaks in Ahlsheyan
Vykus and Vnissk, the twin volcanoes of Deathsmoke Isle
The Ockwood, a vast, dense forest in Brundir
Sculn Hills, a rocky region on the island of Rasu Miar, in Kadavis
Atrachian Wastes, a region of badlands and dead forest in the Arkestran Dominion
The Vorga Forest, light evergreen woods that dot Meskmur
This step necessarily bled into the next couple, as kingdoms, gods, and other elements of the setting popped into my head, were iterated upon, and got plugged into the other region-creation steps.
Create six nations or groups of importance.
Brundir (“BRUNN-dihr”), the largest and most central of the Unlucky Isles. Brundir is rich in natural resources, including timber and arable land, and boasts a coastline full of protected bays. Brundir is a mercantile power with a large and powerful navy. It’s also a haunted place and a breeding ground for strange creatures, thanks to Slljrrn’s lingering essence, and Brundirans tend to have a pessimistic streak.
Arkestran Dominion (“arr-KESS-trun”), stretching off the map to the north. A militaristic, expansionist elven nation, the Dominion sits atop an entire pantheon of dreaming gods and makes extensive use of the Wraithsea to exert their influence across Dormiir. The southern reaches, however, are lightly populated hinterlands dominated by the inhospitable Atrachian Wastes; the Dominion’s main focus is to the north…for now.
Meskmur (“MEHSK-murr”), a small kingdom of sorcerers on the southernmost edge of the Unlucky Isles, is a secretive, isolated place. By and large, the Meskmuri stay out of the politics of the Isles, and so Meskmur serves as the de facto “neutral ground” for moots, summits, and other gatherings (collecting payment and tribute in exchange). Temples and shrines to Jiur and Sarrow, the Red Twins central to Meskmuri faith, dot the island.
Ahlsheyan (“ahl-SHAY-ahn”), a chilly, windswept dwarven kingdom which abuts the Unlucky Isles to the south. Ahl dwarves are equally at home deep underground and plying the waves. The three pillars of Ahl society are wind, waves, and stone (representing impermanence, opportunity, and the past, respectively), and Ahl relationships are often tripartite (polycules, business ventures, etc.). Ahl “wind sculptures” — made of stone shaped so as to change in interesting ways as they are worn away by wind and weather, and not sold or exhibited until decades after they were first made — are famous throughout Godsbarrow.
Kadavis (“kuh-DAVV-iss”), in the east, is notorious for the raiders who populate Rasu Miar (“ill-fated land” in Kadavan), the island that marks its westernmost territory. Between the rocky Sculn Hills and the pall of smoke emanating from Deathsmoke Isle, Rasu Miar is a harsh place; outcasts, exiles, and wanderers who don’t fit into Kadavan society often find their way here. Kadavis itself is a prosperous, decadent kingdom composed of dozens of squabbling fiefdoms. Kadavan culture places great value on ostentatious displays of wealth and glory.
Yealmark (“YALL-mahrk”) consists of two small islands wedged between the Dominion to the north, Kadavis to the east, and Brundir to the south, and is the youngest kingdom in the Unlucky Isles. Formerly part of Brundir, Yealmark was granted to the Nuav Free Spears, a large mercenary company, some thirty years ago as payment for a contract. The Free Spears are disciplined in battle but run wild between contracts, so Yealmark is a strange mix of organized martial society and raucous revelry, and attracts more than its share of pirates, ne’er-do-wells, and adventurers as a result.
Identify regionally-significant gods.
Brundir — θana (“THAH-nah,” the forest; the versatility of trees) and σethra (“SHETH-ruh,” good fortune), commonly referred to as the Mast and the Sail (the strong, well-made foundation that enables you to catch the winds of good fortune, taking you away from the ill luck of the Isles).
Etruscan is my source for some Brundiran names, including special characters like Sigma and Theta (used above).
Arkestran Dominion — Taur Kon Drukh, the Ceaseless Flame, who burns away the threads of fate woven by other gods, and soothes the slumber of the old pantheon (ensuring the Arkestrans don’t lose access to the Wraithsea).
Meskmur — Jiur and Sarrow (“JEE-oor” and “SAH-row”, the Red Twins, believed to live inside the volcanoes Vykus (Jiur) and Vnissk (Sarrow) on Deathsmoke Isle, and venerated in large part to keep them there — and away from Meskmur itself (ditto the smoke, which most often drifts north instead of south, fouling the air over Rasu Miar).
Ahlsheyan — Kōm (“COMB,” wind, impermanence), Ebren (“EHB-run,” waves, opportunity), and Iāka (“ee-YAY-kuh,” stone, the past) are the cornerstones of Ahl faith and society.
Proto-Turkic is my source for some Ahl names.
Kadavis — Iskuldra, the Golden Mask (“iss-KUHL-druh,” wealth, glory, recognition), principal deity in a pantheon that includes over 200 “small gods” (other aspects of prosperity, commerce, fashion, etc.) who are venerated in its many fiefdoms.
Yealmark — Pays obeisance to Brundir’s principal gods, θana and σethra, but also to Bruzas (“BROO-zoss”), the god of blood and revelry from their original homeland, Nuav (whose symbol is a blood-filled golden bowl).
Thracian is my source for some Yealmark names.
Many islefolk also pray to Nsslk (“NUH-sulk”), son of long-dead Slljrrn, who sleeps beneath the waves in the Unlucky Isles, in the hope that their prayers will keep him from dying — and thereby further cursing the Isles.
Make a sketch map of the region.
Mapping advice is scattered around the worldbuilding chapter, and doesn’t perfectly match the book’s setting, so I did some head-scratching and came to my own conclusions. WWN recommends a square 200 miles on a side, with 6-mile hexes, for the region map — but the example in the book is more like 300 miles x 360 miles, and I liked its size. So I went with 60 hexes by 50 hexes (widescreen monitor-shaped, not book page-shaped), for a regional area of 108,000 square miles.
WWN notes that rivers and (optionally) large lakes/inland seas come next, and to make logical rivers I needed to add some mountains and hills to my extant map (and fiddle with some of the existing features, too). That plus country labels gave me the map I used to open this post:
Worldographer has a really cool feature called Child Maps that auto-generates a version of your current map on a different scale, with a number of hexes per parent-map hex that you determine. For example, I can take the Unlucky Isles at World level and step down to Continent level with 6 hexes per hex, and Worldographer will spit out that massive map.
WWN’s process doesn’t have you adding cities and other features to your kingdom-level map, but major features do appear on its example map. I want to see more detail than I currently have on my region map (at 6 miles/hex), so my next step will be to add cities and features to this map. (If I were about to start a campaign, I’d probably set it in a central region of Brundir, generate a 6-hexes-per-hex child map, and add villages, caves, dungeons, ruins, and so forth to those 1-mile hexes.)
I’ll do that as part of answering the three remaining WWN questions about the region — and in another post, as this one’s already massive!
Earlier today, a chance comment on RPGnet alerted me to the release of Worlds Without Number (paid link; there’s also a free version of the game), Kevin Crawford’s fantasy version of Stars Without Number (paid link; and again, there’s a free SWN), which I immediately bought. That in turn led me to think about how I feel like a bad gamer for never having had my own fantasy setting that I’ve tinkered with for years, and run games in, and the ways in which I’m my own worst enemy when it comes to setting creation.
For example, writing two paragraphs before getting lost in daydreaming about what accent colors I’m going to use the in the setting book I eventually publish…and then thinking about how difficult it would be to build up a brand, a company, and a potential audience again; or how I’m going to screw up and accidentally use a bunch of problematic tropes I don’t recognize as being problematic; at which point I abandon the project and go watch cartoons.
But I also realized that getting properly into miniature painting has given me a blueprint that works for my weird brain — one that I might be able to apply to worldbuilding: Pick a big goal, pick a small goal, pick a goal somewhere in between; work on it for at least a few minutes a day; blog about it, as the mood strikes, to help make it real (and because it’s fun if other people use it). I think I can use that model here.
So I sat down with Worlds Without Number, skipped to the worldbuilding section, and started reading. I’ve loved Crawford’s work for years, and we share a strong commitment to not making stuff that won’t have a direct impact on play at the gaming table (unless making it is fun in its own right). Brass tacks, realistic expectations, time spent well — I’m right there with him.
But first, the Larch
I didn’t want to abandon Bleakstone, or its successor setting, the Crystal Marches — but I also didn’t want to feel like I was retreading old ground. I didn’t build momentum last time, so why would it work differently this time?
I love settings with colloquial names formed from ordinary words, and I was thinking about my longtime interest in an island setting — when poof, the name “the Unlucky Isles” popped into my head. I wondered why they’d be unlucky — and hey, wouldn’t it be cool if they were cursed by the gods?
Or what if a god had died there, and bad luck was a lingering aftereffect?
“A world where gods can die” was the boom moment I needed to get my creative juices flowing.
(From here on in, this post is pretty raw — basically just straight from my notes, archiving my thoughts as they first came to me.)
I popped up Worlds Without Number and started answering questions, sketching in high-level setting concepts while I thought things through.
Gods can die, and in its early days the world was a tomb to many of them.
Magic and other strange phenomena are attributed to long-buried gods, their essences leaking into the soil, water, and air.
The current gods will die someday, too — and every time a god dies, their death shakes the world.
When young gods die, their essence may only influence a small region — but entire kingdoms and continents are shaped by the essences of dead older gods.
Some gods don’t die, but go into a state of torpor much like death; their dreams can become real, and people can enter those dreams
Bleakstone, the Crystal Marches, and other setting concepts I have can become part of Dormiir.
After spending the evening answering the questions in the first section, “The World,” I wrote this post. (The free version of Worlds Without Number includes this entire section, so I’m not giving away Kevin’s farm here.)
What’s the name of this world for people in your campaign’s scope?
Dormiir (“to sleep” in French, with an extra “i”), but most people in the Unlucky Isles call it Godsbarrow (with barrow being a tomb-mound; Goadsbarrow is a real place in England, which I also like).
Are natural physical laws mostly the same as in our world?
Yes, except that Godsbarrow has two moons. One in a stable orbit (providing Earth-like tides) and the other in a highly eccentric orbit, which causes wildly powerful tides at the two points where it passes closest to the planet. (Coastal communities must be built accordingly.)
The weird moon is believed to be the corpse of a titanic deity, curled up into a ball. Some religions hold it to be the source of all magic.
Are there any spirit-worlds, alternate dimensions, novel planes of existence, or other cosmological locales generally associated with the world?
The Wraithsea is the common name for the un-place composed of the dreams of sleeping gods. People can go there in their dreams — or be drawn there — and if they linger, they disappear from the physical world.
Are there any grand global-scale empires or groups that impinge on the campaign’s scope?
The Arkestran Dominion (“Arkestran” is an elven word for “eternal”) sits atop the tomb of an entire pantheon of dreaming gods, and uses the Wraithsea to extend its influence across the world while its military might expands the borders of their empire.
How interconnected are the parts of your world?
About like medieval Earth, where people have heard things about faraway places — but more often myths and legends than actual facts. Regional weirdness caused by long-buried gods tends to keep people close to home, but nothing stops folks from travelling.
Are there any vast global events that have happened recently?
Bakhmyut, He Who Holds Back Hell — the principal deity of the country of Duspira — died five years ago, plunging the entire world into darkness for three days (one for each thousand steps in the passage to hell guarded by Bakhmyut, the Three Thousand Stairs).
That darkness lifted everywhere but Duspira, which has remained under the night sky ever since. Bakhmyut’s death also unleashed strange magic and stranger creatures, which have been spreading outwards from Duspira — along with ordinary Duspirans, fleeing a land in which no crops will grow.
Up next is “The Region,” which I already have going in my little Notepad file on Godsbarrow.